Term
| Emotional / Subjective Acting |
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actors play their parts in such a way that they actually weep, suffer, or struggle emotionally; they become their parts
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Term
| Technical / Objective Acting |
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use of learned skills of acting, movement, speech, and interpretation to create roles, no emotional response is used; performance based on technique
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main characters in a play
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the main character in a play; must solve the problem that arises in the play
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person or force working against the protagonist in a play
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those characters who act as contrasts to others; characters with whom other characters are compared
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a role in which the actor and the character portrayed are similar in appearance and personality
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role in which an actor portrays traits that differ from his or her own to produce a desired character
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putting together all facets of a character to bring life and interest to that character
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an acting role that is used for personality comparison, usually with the main character
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a female lead between the ages of sixteen and thirty
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a male lead between the ages of sixteen and thirty
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identifying and casting an actor in the same kind of role aver and over
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a lull or a stop in dialogue or action on order to sustain emotion
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the ability to change style or character with ease
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movement in opposite directions by two or more actors to balance the stage picture
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improperly taking attention from an actor who should be the focus of attention
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technique of pivoting the torso so that the face is toward the audience even when facing sideways
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Definition
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situation in which two actors stand or sit parallel to eachother
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shifting audience attention from one actor to another
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focusing audience attention on the actor who is the real center of the dramatic action by having the other actors shift their bodies and look at this key character
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Term
| “Taking Yourself Out Of A Scene” |
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Definition
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the actor’s turning away from the audience into a three-quarter-back or full-back position
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the individual whose posture, movements, habits, voice inflections, and mannerisms are observed in order to build character
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books that help in developing characterization
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communication that uses gestures, posture, and facial expressions instead of words
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a distinctive action that is repeated and serves as a clue to a character’s personality, such as a peculiar laugh or walk
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the meaning “between the lines” that an actor must draw from the script
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the use of an actor’s personal experience to relate to the experience of a character in a play
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restating lines in one’s own words
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lines interrupted by another speaker and indicated by dashes in the script
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lines that actors trail off rather than finishing
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the audience’s reaction that actors listen for in order to anticipate the length of time the audience will laugh
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a form of musical theater in which all conversations are sung
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a form of musical theater in which the music is lighter than opera and
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a humorous or satirical operetta
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a production consisting of a series of independent song-and-
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a form of musical theater; a combination of operetta and
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a form of musical theater in which the emphasis is on real people
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a term that describes characters walking across the stage together or entering from opposite sides and meeting on the stage
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the music played between scenes while sets are being changed
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a farcical literary work that pokes fun at certain subjects or time periods
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a style of comedy that presents humourous attacks on accepted conventions of society, holding up human vices and follies to ridicule
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a series of loosely connected scenes that focus on a theatrical concept
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a listing of all the flying scenery and what is on each piece, prepared by the technical director or the stage manager
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a diagram showing how scenic units are to be stored in the wing areas during a show
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the use of lighting instruments above and behind performers to accent the performers and set them apart from the background
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a costume that is double-faced so that by reversing it the illusion of a different costume is created
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costumes that are separates, which are interchangeable, or sometimes reversible, such as ties, vests, and so on
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a small group of instrumentalists
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a person who designs dance for the stage
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the dances designed for a production
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a person who writes music
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in present-day theater, the singers in a musical, other than the principals
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the music, usually a medley of the show’s songs, played at the beginning of a musical
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the music of a show as composed
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