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pattern in time created by the incidence and duration of individual sounds
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The alternation of LONG and short notes, named after the notation ( ) used to record them
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The organization of strong and weak beats into a regular, recurring pattern.
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The regular grouping of beats into twos (STRONG-weak). The most common duple meters have two or four beats per measure.
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A military style (or piece) characterized by strongly accented duple meter and clear sectional structures. The most famous exponent was John Philip Sousa (Stars and Stripes Forever).
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The accenting, within a well-defined meter, of weaker beats or portions of beats. Essential to ragtime.
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A type of popular American music, usually for piano, that arose around 1900 and contributed to the emergence of jazz. The left hand plays a regular march-like rhythm, while the right hand is heavily syncopated. We heard Adeline Shepherd’s rag, Pickles and Peppers.
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The theatrical presentation of group or solo dancing of great precision to a musical accompaniment, usually with costumes and scenery and conveying a story or theme.
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The regular grouping of beats into threes, as in a waltz.
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A popular nineteenth-century dance in moderate to fast triple meter. It scandalized Europe because it was the first social dance in which people faced and held each other.
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These included the grizzly bear and the squirrel. How many more can you come up with?
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a duple-meter dance of probable Argentinian origin that arose during the early twentieth century. Its machismo overtones were expressed by a still upper torso and powerful, definitive steps.
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A popular Latin-American dance in duple meter characterized by Afro-Cuban rhythms expressed in subtle, swaying movements and intricate footwork.
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A polyphonic composition that makes systematic use of imitation, usually based on a single subject, and that opens with a series of exposed entries on that subject
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A cool, complex style of jazz that developed in the mid-1940s, closely associated with Charlie ("Bird") Parker.
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Acronym for "musical instrument digital interface," the industry-wide standard adopted in 1982 that permits personal computers and synthesizers to talk to one another.
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(1) The aspect of music having to do with the succession of single notes in a coherent arrangement; (2) a particular succession of such notes (also referred to as tune, theme, or voice).
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(1) In general, the simultaneous aspects of music; (2) specifically, the simultaneous playing of two or more different sounds, i.e. the opposite of melody.
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An array of fixed, ordered pitches bounded by two notes an octave apart. The common Western scales contain seven notes; in non-western cultures scales may contain fewer or more than seven notes.
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The acoustical distance between two pitches, usually reckoned by the number of intervening scale degrees.
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