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Basic visual components of any artwork: line, shape, form, space, color, and texture; basic building blocks of artworks
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Most basic of art elements
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Perceived directly through the senses-primarily the senses of sight and touch
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are not solid but consist of a series of interrupted dots or lines that the eye connects to make an implied line
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Defines the two-dimensional area of an object; closely related to form
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objects that are three dimensional(they have length, width, and depth); closely related to shape
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irregular shapes and forms; sometimes called organic because living things tend to be freeform and irregular in shape or form
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element related to the organization of objects and the areas around them in both two- and three-dimensional artworks
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The space that is occupied by objects, shapes, or forms in the artwork
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What the objects, shapes, and forms in positive space are called
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The area around the objects, shapes, and forms in the positive space; also known as 'ground'
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Projecting boldly from from the surface
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Projecting only slightly from the surface to which the sculpture is attached
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| Aerial Perspective/Atmospheric Perspective |
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A technique takes into account the ways that fog, smoke, and airborne particles change the appearance of things when they are viewed from a distance
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A technique developed during the Renaissance that can be used to create the illusion of space
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The three colors from which all other colors are produced; red, blue, and yellow
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formed by the mixture of two of the primary colors; red and yellow make orange, yellow and blue make green, and red and blue make violet
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made by a primary and an adjacent secondary color; red and violet make red-violet, blue and green make blue-green, etc.
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the organization that puts hues into a visual scheme; dates from the 18th century
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A term used when discussing the lightness or darkness of a color or of gray
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The term used for white and black
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The brightness or purity of a color
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The use of hues that are opposite each other on the color wheel
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The use of hues that are next to each other in the color wheel
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The use of a combination of the three primary colors, the three secondary colors, or the six tertiary colors
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The term used for red,orange, and yellow because they are associated with the warmth of the sun, the heat of fire, or dry grass
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The term used for blue, green, and violet because they are associated with forests, mountain lakes, and snow
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The term refers to the "true" color of an object or area as seen in normal daylight irrespective of the effects of distance or reflections from other objects
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The term refers to the effect that special lighting has on the color of objects
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Color chosen for its emotional or aesthetic impact
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the term refers to how things feel or how we think they would feel if touched
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The illusion of a textured surface
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| Principles of Composition |
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The means that artists use to organize the elements of art to create an effective composition ( also known as Formal Properties)
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The principle that we associate with movement or pattern
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This occurs when two or more motifs are used alternately
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A single element of a pattern; an aspect of repetition
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Involves the repetition of certain elements; an aspect of repetition
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Distribution of visual weight in a work of art
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A balance achieved when elements of the composition are repeated exactly on both sides of the central axis (easiest to comprehend)
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Shapes or objects are slightly varied on either side of the central axis
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A visual balance that is achieved through the organization of unlike objects
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Where the eye tends to rest
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The dimensional relation of the parts of a work to the work in its entirety and can also refer to the overall size of an artwork
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the ratio between two dimensions of a plane figure or two dimensions of a line such that the smaller is to the lager as the larger is to the sum of the two: roughly 3:5
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Involves the placement of separate objects close together or in groups
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Causes the eye to move over the artwork from similar color to simalr color, or similar texture to similar texture, and so on
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