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Definition
| Casablanca Sideboard, Sottsass, 1981, Post-Modern Appropriation, room divider, opposed modernism and minimalism |
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Definition
| How High the Moon Chair, Kuramata, 1986, Post-Modern Appropriation, weightless and transparent, more with less, references to jazz (name) |
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| pyramid entrance to the Louvre Museum, Paris, Pei, 1989, Post-Modern Appropriation |
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Definition
| Up 5 Armchair, Pesce, 1969, Post-Modern Appropriation, anthropomorphic, supported womens rights, |
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| Wink Chair, Kita, 1980, Post-Modern Appropriation, adjustable, nicknamed Mickey Mouse, |
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| Big Easy Chair, Arad, 1989, Brutalism, mocks typical overstuffed chair, steel, inspired by hebrew letter shin |
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| Lockheed Lounge Chair, Newson, 1986, Brutalism, fluid design (blob of mercury), mass production theory |
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| Olympic Torch, Starck, 1992, Brutalism, "Good Goods," |
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| Guggenheim Museum, Bilbao, Gehry, 1997, Deconstructionism, used CATIA, random curves, signal moment in architectural culture, |
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| Miss Blanche Chair, Kuramata, 1988, Deconstructionism, "free of gravity," inspired by film "A Streetcar Named Desire," |
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| Oh Chair, Rashid, 1999, Eclecticism, "Blobular," flexing, morphing materials, bold colors |
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| ironic approach to modern notion of philosophical pureness, separate object from idea of functionalism, surface decoration and bright colors |
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| weightlessness, transparency, Japanese heritage of doing more with less, European modernism traditions |
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| anthropomorphic, shortcuts in conventional construction and shipping (vaccum packing) |
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| trained as architect, "One-Off," idiosyncratic design |
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