Gainsborough, Landscape in Suffolk,   (Gilpin; Bermingham)

Wright, Firework Display at the Castel Sant'Angelo

Burke

Canaletto, The Torre diMalghera (Gilpin; Starobinski's "Venice at Sunset")

Guardi, Piazza San Marco (Starobinski's "Venice at Sunset")

Thomas Jones, The Claudean Aqueduct and Colosseum

(Gilpin; Bermingham with ref to Capability Brown)

Sandby, Views of Windsor Castle (Gilpin)

John Robert Cozens, The Lake of Albano and Castel Gandolfo

(Gilpin)

Girtin, Kirkstall Abbey, Day (Gilpin)

Thomas Hearne, View from Skiddaw over Derwentwater, c. 1777

(Burke)

Raeburn, The Reverend Robert Walker, 1795  

(Michel's "Nature & Moeurs")

Zoffany, John Cuff and his Assistant, 1772,

(Lavater in AIT)

Zoffany, Sir Lawrence Dundas with his Grandson, 1769-70

Reynolds, Mrs. Siddons as the Tragic Muse  (Michel's "Nature & Moeurs")

Reynolds, Frances Abington as “Miss Prue” in Congreve’s “Love for Love,”1771  (Michel's "Nature & Moeurs")

Zoffany, Royal Academicians, 1771-72   (Reynold's Discourses)

Vigée-Lebrun, Self-Portrait with her Daughter, 1789  

(Lajer-Bucarth's "Genre & Sex"; Crow's "Patriotism & Virtue")

  West, Death of General Wolfe, 1771  (Barry's "A Letter to the Dilettanti Society")

Fragonard, Coresus Sacrificing Himself to Save Callirhoe, 1765 (Michel's "Nature & Moeurs")

     Fragonard, The Swing, 1767

(Lajer-Burcarth's "Genre & Sex"; Michel's "Nature & Moeurs")

Greuze, The Punished Son, 1778  (Diderot's "Salon of 1763")

  Encyclopédie: Engraving, 1751-72 (Barthes' "The Plates of the Encyclopedia")

Swedish settee, c.1790

Tiepolo, Europe, 1752-53  

(Starobinski's "Venice at Sunset")

Zoffany, Colonel Mordaunt’s Cock Match, 1786- c.1790, 

Falconet and Collot, The Bronze Horseman (Peter the Great), 1766-1782

(Falcont in AIT; Blakesley's 
"Pride and the Politics of Nationality in Russia...")

Borovikovsky, Catherine II Strolling in TsarskoeSelo, 1794  

(Blakesley's "Pride and the Politics of Nationality in Russia...")

Carriera, Self-Portrait with a Portrait of the Artist’s Sister, 1709 (Various on Kauffmann)

Liotard, TrompeL’Oeil(Fool the Eye), 1771
with references to reproductions of Boucher

(Collins' "A Nation of Statues")

Batoni, Thomas Dundas, later first Baron Dundas, 1764

(Collins' "A Nation of Statues")

Panini, Interior of the Pantheon, 1734

(Collins' "A Nation of Statues")    

Fuseli, An Artist Moved to Despair by the Magnitude of Antique Fragments, c.1778-79.

(Starobinski's "Fuseli")

Fuseli, The Nightmare, 1781

 (Starobinski's "Fuseli")

Fuseli, Satan Fleeing, 1776 (From Milton’s Paradise Lost.) 

(Starobinski's "Fuseli")

Canova, Perseus,  1790-1801

(Starobinski's "Rome & Neo-Classicism" and Canova)

Antonio Canova, Cupid and Psyche, ca. 1787-1793, 

(Starobinski's "Rome & Neo-Classicism" and Canova)

  Canova,Paolina Borghese (Pauline Bonaparte), 1805-1808 

(Starobinski's "Rome & Neo-Classicism" and Canova)

  David, Belisarius Begging Alms, 1781 (Starobinski's "Rome & Neo-Classicism"; Crow's "Patriotism & Virtue")

David, Napoleon Crossing the Alps, 1800

 (Starobinski; Crow; Kant)

Robert, View of the Grande Galerie of the Louvre, 1796 

(Starobinski; Crow; Kant)

Girodet- Trioson, Sleep of Endymion, 1793 

 (Starobinski; Crow; Kant)

Gérard, Portrait of Isabey and his Daughter in the Louvre, 1795, Salon of 1796.  

(McClellan's "The Musee du Louvre...")

GIRODET-TRIOSON, MLLE LANGE AS DANAE, 1799

(Crow's "Patriotism & Virtue")

Ingres,  Ambassadors to Achilles

(Crow)

Marie Denise (Nisa) Villers, Young Woman Drawing, c. 1801.

(Crow)

Wüest, The Rhone Glacier, 1795 (Goethe; Burke)

Turner, The Pass at Mont St Gotthard, 1804

(Burke)

Blake, Ancient of Days, 1794

(Starobinski's "Reconcilliation with Darkness")

Goya,

The Duchess of Alba, 1797

(Starobinski's "Goya")

Goya, Family of Charles IV  (King of Spain),

1800-01

(Starobinski's "Goya")

Goya, 3rd of May, 1808, 1814

(Starobinski's "Goya")

Goya, Disasters of War, 1812-15

(Starobinski's "Goya")

Goya, Saturn Devouring His Son, 1820-23