Term
|
Definition
|
a very brief synopsis of a longer work of scholarship or research. The abstract of an entire book may be reduces to a single page
|
|
|
Term
|
Definition
|
as opposed to concrete terms, abstract terms represent ideas or thoughts--generalities. They are concepts that cannot be seen (love, honor, courage, etc.) which the writer usually tries to illustrate by comparing it metaphorically to a known, concrete object.
|
|
|
Term
|
Definition
|
attacking another person's argument by attacking the person rather than the issue. In the political arena this is called "mudslinging"
|
|
|
Term
|
Definition
|
a saying or proverb embodying a piece of common wisdom based on experience and often couched in metaphorical language.
|
|
|
Term
|
Definition
|
the state of having more than one meaning, with resultant uncertainty as tot he intended significance of the statement. Ambiguity may be used consciously to reflect an author's view of the vagueness of life
|
|
|
Term
|
Definition
|
the incorporation of an event, scene, or person who doesnt correspond with the time portrayed in the work..
example: Shak's use of a hat or book in Julius Caesar..
|
|
|
Term
|
Definition
|
a word or phrase made by transposing the letters of another, as "cask" is an anagram for "sack".
anagrams have usually been employed as a trifling exercise of ambiguity, but writers sometimes use them to conceal proper names or to veil messages
|
|
|
Term
|
Definition
|
a verse with 6 iambic feet (iambic hexameter).
The form is that of heroic verse in France.
Sir Edmund Spenser uses an alexandrine at the end of the Spenserian stanza
|
|
|
Term
|
Definition
|
a story or description that has a 2nd meaning, typically portrayed by creating characters, setting, and/or events which represent or symbolize abstract ideas; a type of extended metaphor in which characters are personifications of abstract qualities.
example: PILGRIM'S PROGRESS
|
|
|
Term
|
Definition
|
the repitition of one or more initial sounds, usually consonants, in groups of words or a line of poetry. Old English versification and Middle English poetry relied largely on alliteration
|
|
|
Term
|
Definition
|
a figure of speech that makes reference to a person, place, event, or other source meant to create an effect or enrich the meaning of an idea. both biblical and classical allusions are used extensively in lit.
|
|
|
Term
|
Definition
|
a comparison that points out similariites between two dissimilar things. They are often used to explain something unfamiliar by comparing it to something familiar. A simile expresses an analogy; a metaphor is an implied one
|
|
|
Term
|
Definition
|
a metrical foot that has 2 unstressed syllables followed by one stressed syllable..
example: da da DUM; CONTRADICT.
|
|
|
Term
|
Definition
|
one of the devices of repitition in which the same expression is repeated at the beginning of 2 or more lines, clauses, or sentences. It's used in the Bible and in Whitman's poetry
|
|
|
Term
|
Definition
|
a brief story used in an essay to illustrate a point
|
|
|
Term
|
Definition
|
the character or force in a story that works against the protagonist to produce tension or conflict. The "villain" is typically, but not always, the antagonist.
|
|
|
Term
|
Definition
|
the word for which a pronoun stands
|
|
|
Term
|
Definition
|
a protagonist in a modern day play or novel who has the converse of most of the traditional attributes of the hero. He is typically graceless, inept, and sometimes stupid or dishonest.
|
|
|
Term
|
Definition
|
the rhetorical opposition or contrast of words, clauses, or sentences. The balancing of one term against another.
Example: "Man proposes, God disposes" or "To err is human; to forgive, divine"
|
|
|
Term
|
Definition
|
a brief, sometimes clever saying that expresses a principle, truth, or observation about life
|
|
|
Term
|
Definition
|
the intentional failure to complete a sentence. The form may be used to convey extreme exasperation or to imply a threat, as in "if you do that, why I'll..."
|
|
|
Term
|
Definition
|
a literary device in which the speaker directly addresses someone dead, someone missing, an abstract quality, or something nonhuman as if he/she/it were present. Characteristic instances on apostrophes are found in invocations.
|
|
|
Term
|
Definition
|
using words that have some sound correspondence, but the rhyme is not perfect
|
|
|
Term
|
Definition
|
a term brought into literary criticism from the psychology of Carl Jung, who holds that beyond each individual's unconscious lies the "collective unconscious" of the human race-- the blocked off memory of our racial past. It applies to an image, a descriptive detail, a plot pattern, or a character type that occurs frequently in literature
|
|
|
Term
|
Definition
|
private words, spoken by an actor to the audience, that are not meant to be heard by other actors.
|
|
|