Term
|
Definition
|
|
Term
|
Definition
| offered non-catholics, especially Huguenots, equality and tolerance under French law |
|
|
Term
|
Definition
| a protestant who ascended to the throne and converted to catholicism |
|
|
Term
|
Definition
| under Louis XIV the society could finally stabilize and flourish |
|
|
Term
|
Definition
| advanced Italian culture in France |
|
|
Term
|
Definition
| Italian-born who had replaced Richelieu |
|
|
Term
|
Definition
| a religious group called Confraternity of the passion was organized to present religious plays |
|
|
Term
|
Definition
| first permanent theatre constructed in Europe since Rome times |
|
|
Term
|
Definition
literary group formed to further writing and culture |
|
|
Term
|
Definition
| first professional playwright |
|
|
Term
|
Definition
| literary group which limited 40 writers |
|
|
Term
|
Definition
by Pierre Corneille based on an earlier play by Guillen de Castro said to violate neoclassic rules |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| balanced phrases in a line of poetry |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Madeline was Moliere's mistress |
|
|
Term
|
Definition
"entries" one was called The Ballet of the Night the King would perform |
|
|
Term
|
Definition
|
|
Term
|
Definition
| around the side and back walls were boxes |
|
|
Term
|
Definition
|
|
Term
|
Definition
| converted indoor tennis court |
|
|
Term
|
Definition
| 1st proscenium arch theatre in France |
|
|
Term
|
Definition
|
|
Term
|
Definition
"Hall of Machines" a new theatre built in a wing added to the Tuileries Palace |
|
|
Term
|
Definition
a major theatre building of the French neoclassical period. horseshoe shaped |
|
|
Term
|
Definition
|
|
Term
|
Definition
| contracted to perform minor roles |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| Italian family who married into French Royalty |
|
Definition
|
|
Term
|
Definition
other form of theatrical activity festivals, court spectacles, triumphal entries in town. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
wrote plays for the cardinal's entertainment Pierre Cornielle was a part of this |
|
|
Term
|
Definition
| had trouble writing to order and incurred the cardinal's wrath for altering a part of the plot assigned to him |
|
|
Term
|
Definition
defending father's honor. duel commences. seeks revenge against man she loves. |
|
|
Term
|
Definition
| critics say it violated neoclassical rules |
|
|
Term
| Corneille reaction to French Academy |
|
Definition
| he stopped writing dramas...then started writing again and all plays conformed to unities of time, place and action and other restrictions of neoclassicism |
|
|
Term
|
Definition
|
|
Term
|
Definition
| usually trying to reconcile some driving passion with honor and devotion to duty |
|
|
Term
| The perfect Neoclassic play |
|
Definition
|
|
Term
| Racine double crossed him |
|
Definition
|
|
Term
|
Definition
|
|
Term
| Moliere caused controversy |
|
Definition
| insisted on depicting vices and follies untruthfun |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| his theatre went bankrupt and he was imprisoned for debt. |
|
|
Term
|
Definition
| opposed to having "Tartuffe" performed because it attacked religion |
|
|
Term
|
Definition
|
|
Term
|
Definition
| exhausted and suffering from a lung ailment, Moliere collapsed during a performance of "The Imaginary Invalid" |
|
|
Term
| To be seen as well as to see |
|
Definition
|
|
Term
|
Definition
| to build scenery and install scene-changing equipment. |
|
|
Term
| 5 government supported theatres |
|
Definition
1. Opera 2. Italian commedia dell'art troupe 3. Hotel de Bourgogne company 4. Theatre du Marais 5. troupe led by Moliere |
|
|
Term
| Responsible for selection of plays |
|
Definition
|
|
Term
| required a comic and tragic audition piece |
|
Definition
|
|
Term
| problems of a national theatre |
|
Definition
|
|
Term
| some actors in comedy francais |
|
Definition
| sometimes encouraged complacency and arrogance |
|
|
Term
| choice in plays in comedy francais |
|
Definition
| imitative rather than innovative |
|
|