Term
| House for an Art Lover competition entry (1901) |
|
Definition
| What project by Mackintosh exhibited at the Secession had a profound influence on these designers? |
|
|
Term
|
Definition
| The nickname given to the group of four designers centered around Mackintosh because of the colors and forms they used was the |
|
|
Term
|
Definition
| Margaret McDonald's signature motif was the |
|
|
Term
|
Definition
| The city that was the center of German applied arts and the home of the Ernst Ludwig school of art was |
|
|
Term
Designing luxury liners. Integrating mechanical systems into luxury space and maximizing space.
Regionalism |
|
Definition
| What influence did Glasgow have on Mackintosh's design approach? |
|
|
Term
|
Definition
| The architect of the Secession building was |
|
|
Term
|
Definition
| The winner of the competition for the Vienna subway system was |
|
|
Term
|
Definition
| What two geometric shapes are prevalent in Mackintosh's symbolism? |
|
|
Term
| Look at how the family functions and create subspaces for these functions. Put subspaces together and put shell around creating organic wholeness |
|
Definition
| Describe Mackintosh's approach to the design of interior spaces: |
|
|
Term
Hoffmann focused more on massing of objects and emphasized the corner.
Wright focused on the surface, and have lines of trim continuining around the corner, creating volumes |
|
Definition
| Compare Hoffmann's approach in design of surface and volume to that of Wright's: |
|
|
Term
1. Mackintosh is grey, Voysey is white.
2. Mackintosh has no window trim
3. Mackintosh has the wall dominant over the roof, Voysey is opposite |
|
Definition
| List three differences between the exterior of a Voysey house and that of a Mackintosh house. |
|
|
Term
|
Definition
| What city did Grand Duke Ernst Ludwig try to make into a German "Athens"? |
|
|
Term
|
Definition
| Name the firm that Joesph Hoffmann helped to start that produced high quality objects and furnishings for houses: |
|
|
Term
|
Definition
| ______ was the "father figure" of the Secessionists. |
|
|
Term
|
Definition
| The painter who collaborated with Olbrich in the design of the Secession Building was |
|
|
Term
|
Definition
| "I am particularly interested in the square as such and in the use of black and white as dominant colors, because these clear elements have never appeared in earlier styles" is a quote by |
|
|
Term
|
Definition
| The Secessionists were located in what city? |
|
|
Term
|
Definition
| The two people responsible for the design of the Secession Building were |
|
|
Term
|
Definition
| Charles Rennie Mackintosh had a connection with which continental European art movement? |
|
|