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| One explanation for the rugged silhouette of the many of Gaudi's buildings is the influence of what spiritual landmark? |
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| end of the century, anticipation of the new century |
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Horta's: 2D, lines applied to plane
Guimard: 3D, applied to surface by carving, biomorphic |
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| Major differences between Horta's designs and Guimard's was |
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a. squinches
b. parabolic curve |
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| What two structural elements unique to his time did Gaudi employ in many of his buildings? |
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| The author of Entretiens of 1863, which argued for a return to regional building and quoted Gothic architecture as the model of a structurally rational style was |
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| Hector Guimard is best known for the design of the |
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| Le Duc's idea to minimize horizontal & vertical thrust |
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| Why did Gaudi incline his columns? |
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| The other major Belgian Art Nouveau architect besides Horta was |
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a. regionalism
b. structural rationalism with iron tension and stone compression |
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| List two of Le Duc's major ideas that were very influential during the 1880's and 1890's |
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| curvilinear line, whiplash line |
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| The trademark formal element of Art Nouveau was the |
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| What theoretician was very influential on the work of Victor Horta? |
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| The Belgian Art Nouveau architect who eventually moved to Berlin was |
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Rationalistic structure using parabolic curves, iron tension & stone compression.
The idea of "skin & bones", where skin is the exterior and bones is the interior. |
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| Describe Gaudi's technique of structural analysis and design. |
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| The German equivalent of Art Nouveau was called |
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a. Art Nouveau
b. English Gothic Revival
c. English Arts & Crafts |
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| List three architectural movements in the 19th century that we have studied this quarter that were manifestations of the rise of nationalism: |
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| The Paris subway stations were designed by |
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Horta's were asymmetrical and complex
van de Velde's were simple and controlled |
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| The difference between Horta's curvilinear lines and those of van de Velde were |
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| Mount Serrat, spiritual landmark |
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| The best explanation for the inspiration of the exterior form of Sagrada Familia is |
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| The theoretician who had the greatest influence on the development of Art Nouveau was |
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| Gaudi's patron in Barcelona was |
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| Victor Horta is known for what style of architecture? |
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| A distinguishing motif of Art Nouveau was the |
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| The arches used by Gaudi had a _____ profile. |
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| Art Nouveau architecture originated in what country? |
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| The architect know for his wire and fishing weight models used to determine the structure of his buildings was |
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| e. none of the above, squinch |
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| To span the space between a circular ome and a square bay, Moslem architects typically used a series of arches built upon one another. This device is know as a: |
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