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| classical ballet careers for both men and woman |
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| the king or ruler of russia enjoyed ballet and funded the arts |
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| maryinsky theater to kirov theater |
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| now kirov ballet, academic cassicly trained acaimic style |
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| 1806 patromage bolshioi ballet style was flamboyent |
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| french choreographer russia 1801-1837, 20 ballets raises standers, flying wires and clean point work |
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arrives 1847, chief ballet master 1870 assisted others for 23years before he became chief, 30 yrs 40 ballets pleased the tsar himseld the public -Daughter od the pharoah -Divertissement -Grand pas de deux(five parts) dance for two |
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grand for two it has 5 parts -entee -adaigo duet -male solo -female solo -coda |
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classical-hero character-folk demi-charcter- mime-codifided |
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| encuaged to create better dancers later on |
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marius petipa, music tchakovsky rose adagio-difficult actIII divertissment and Grand pas de deux |
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| awesome one of the greatest choreographers of his time |
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| act one very difficult, sleeping beauty |
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petipa, Ivanov music by tchaikovsky |
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| worked in the shadow of petipa and got a chance to chorograph when petipa got too old and ill during the nutcracker |
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| music by tchaikovsky to tribute him after his death ivanov's brake Avts II and IV |
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| sawn, under curse doomed to be a swan same ballerina |
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