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| A fixed period of time in history is called an ... |
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| The period is distinctive or notable because of its new or different ... or ... |
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| The ... Era is characterized by elaborate ... (different kinds of melodic trills and turns), scrolls, musical chromaticism, and flourishes in the music. |
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| The ... and softer sounding orchestral instruments belong to the ... Era. |
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| One movement sonatas, dance forms, marches, and polyphonic styles are from the ... Era. Also included are ... and ontario with ... |
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| Baroque; opera; recitative. |
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| The Classical Era includes music written during the last half of the ... century. The dates are ... to ... |
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| During the Classical Era, the further development of the ... gave composers opportunity for fuller sounding compositions. The sound was achieved by ... the strings instead of ... them and by using the ... |
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| piano; striking; plucking; pedals. |
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| Classical music styles include ... ... ..., ..., and ... compositions. |
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| Classical sonata form; concertos; symphonic |
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| The ... Era dates from 1800-1900. |
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| The music of this period was more ... and ... in feeling and sound. |
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| Music of the Romantic Era includes the ... piece for piano, ... for voice and piano, also called ..., and the ... poem for orchestra, also called the ... poem. |
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| character; art; Lieder; symphonic; tone |
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| Also developed in the Romantic Era were the great German operas of ... |
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| ... is compositions learned. |
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| The Contemporary Era dates from ... to ... Music of this time includes ... music, ... music, American ..., and ... music. |
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| 1900; present.; atonal; serial; jazz; electronic |
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| The Baroque Era lasted from ... to ... |
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| The Baroque musicians worked as servants of ... ... or ... |
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| Music on a grand scale was performed at ... ..., ... and ... churches, and at important ... ... |
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| royal courts; Catholic; Protestant; civic ceremonies. |
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| The Baroque musician was skilled as ..., ..., ..., and ... |
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| composer; performer; conductor; and teacher. |
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| ... was the homeland of Baroque vocal music. |
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| ... were dramatic vocal works popular at royal courts. |
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| ... are dramatic vocal works for church. |
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| Beautiful violins were built by the ... and ... families. |
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| Magnificent ... ... were built in Baroque catherdrals. |
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| Baroque harpsichords (do or do not) have sustaining pedals. |
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| Baroque harpsichords produce (gradual or sudden) changes in dynamics called ... dynamics. |
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| The Baroque conductor accompanied music on the ... or ... |
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| "Basso continuo" is the name of the ... and bass-line ... |
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| An ... cadence is any chord moving to I. |
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| A ... cadence is any chord moving to V. |
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| ... (...) texture has two or more independent melody lines sounding at the same time. |
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| The Baroque suite is a group of ... pieces |
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| The Baroque suite has four basic dance movements. List them below along with the country of orgin, tempo, and meter of each. |
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Dance
Allemande
Courante
Sarabande
GigueÂ
Nationality
German
French
Spanish or Mourish
Italian or English
Tempo
Moderate
Moderately fast
Very slow
Very fast
Â
Meter
Duple
Triple
Triple
Duple |
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| Most Baroque sonatas have ... form. |
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| ... form is two-part form, AB. |
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| Lute music has many ... ..., rapid ...-... runs, ... ... to produce continuous sound. |
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| broken; chords; scale; line; melodic; ornaments |
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| Baroque flutes, oboes, and bassoons had (few or many) finger-holes and keys. |
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| Of the orchestral instruments of the Baroque Era, only ... and ... had modern shape and playing techniques. |
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| ... texture has one melody line with accompaniment. |
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| A ... is a one-movement composition with imitative contrapuntal texture. |
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| Theme and variations compositions were (popular or unpopular) during the Baroque Era. |
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| There is often (contrapuntal or homophonic) texture in Baroque music. |
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| The Classical Era lasted from ... to ... |
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| New music patrons of the Classical Era were middle-class ..., ..., and ... |
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| traders; bankers; manufacturers. |
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| Classical musicians work as ... musicians, ... musicians, and ... ... ... |
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| court; church; city; music; directors. |
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| Gallant style music has (homophonic or contrapuntal) texture. |
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| A ... is an exact repetition of a prior phrase beginning on a different tone or pitch. |
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| The favorite Classical keyboard instrument was the ... |
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| Early pianos were similar in shape to ... |
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| On the piano, dynamic change could be ... or ... |
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| ... form is three-part form (ABA). |
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| ... is the process of changing firm one key to another key. |
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| In Classical music, pairs of melodic phrases often are parallel or ... |
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| The symphony orchestra has four groups of instruments: ..., ..., ..., and ... |
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| strings; woodwinds; brass; percussion. |
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| String quartets are written for: two ..., ..., and ... |
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| Symphonies and string quartets are usually ...-movement works. |
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| Complete the comparison chart for symphony movements: |
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Movement
I
II
III
IV
Â
Tempo
Fast
Slow
Moderately fast or fast
Fast
Â
Form
Sonata form
Ternary with theme and variations
Dance form with trio
Sonata form, rondo, or theme and variations |
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| Piano sonatas may have ..., ..., or ... movements. These movements are (similar or contrastring). |
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| two; three; four; contrasting. |
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| Sonata form has three sections called ..., ..., and ... |
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| exposition; development; recapitulation |
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| Sonata form= II: Exposition :II: Development-Recapitulation:II |
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| Classical concertos are ...-movement works. |
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| Mozart wrote (few or many) concertos for solo instrument and orchestra. |
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| In much of Beethoven's music, there is ... style, rather than Classical style. |
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| ... means using tones belonging to the scale or key of a piece. |
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| Classical flutes, oboes, and bassoons had more ...-... and ... than Baroque instruments. |
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| Classical trumpets and horns had ...-... covered by keys. |
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| "Menuetto" from Sonatina in D |
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| Symphony No. 94 "Surprise" |
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| Twelve Variations on "Ah vous dirai-je, Maman" |
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| Piano Concerto No. 4, Mvt. 1 |
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| The Romantic Era lasted from ... to ... |
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| Romantic poets were interested in good versus evil, ..., the ..., and the ... |
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| nature; faraway; mysterious. |
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| Legends and myths were important in this time of growing ... |
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| The Romantic composer described ..., ..., ..., and ... in his music. |
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| people; activities; moods; nature |
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| New instruments were added to the larger Romantic symphony orchestra adding ... to the sound. |
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| ... means containing many extra notes (sharps, flats, or naturals) not found in the scale or key of the composition. |
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| Symphonic poems may describe ... or tell a ... in music. |
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| ... ... is a Romantic method of organizing musical materials. |
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| Franz Schubert was more interested in ... ... than in ... ... |
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| composing; music; teaching; school. |
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| Lieder are accompanied ... based on Romantic ... |
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| The Romantic grand ... was a magnificent instrument. |
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| Upright pianos were called ... pianos. |
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| Romantic virtuoso piano works were composed by ..., ..., and ... |
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| Franz Liszt was the most famous concert ... of the Romantic Era. |
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| A ... is a brilliant, free-style passage, usually near the end of a composition. |
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| Chopin's beautiful melodies often are ... ... |
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| Ornaments are different kinds of melodic ... and ... |
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| Album for the Young is a collection of character pieces for the ... |
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| ... ... are short pieces whose titles tell us what event, person, or season is described in the music. |
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| Two Romantic composers of opera are ... and ... |
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| A ... is the text of an opera. |
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| ... and ... composed piano music based on the style of gypsy music. |
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| Edvard Grieg loved the folk song of his native country, ... |
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| Edward MacDowell was a Romantic composer from the ... ... |
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| Debussy and Ravel from France were ... composers. |
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| ... (composer) piano music leads from the Romantic Era into Contemporary Era. |
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| The ... was a new woodwind instrument of the Romantic Era. |
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| In Debussy's music, ... and ... ... are combined into progressions that may sound strange. |
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| An ... is a short melodic pattern, usually in the bass, repeated many times. |
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| Symphony No. 5 "New World", Mvt. II |
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| The Contemporary Era in music history began around ... |
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| Many European musicians fled to the ... ... during World War II. |
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| Today, many composers work as ... ... |
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| Some modern composers write music for ... and ... |
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| Modern serious music may sound ..., ..., and ... |
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| dark; stringent; dissonant. |
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| Ancient modal scales such as the ... mode (D-D on piano white keys) and the ... mode (F-F on piano white keys) are often used. |
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| Some scales used in Contemporary music are the ..., ...-..., and ... scales. |
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| pentatonic; whole; tone; chromatic |
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| Modern chords may be built of such intervals as ..., ..., or ... rather than traditional 3rds. |
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| Chord roots may move by such ... intervals as the the ... ... (C-F#), ..., and ... |
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| dissonant; augmented; 4ths; 2nds; 7ths |
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Definition
a. Dorian on C = C D Eb F G A Bb C
b. Lydian on C = C D E F#G A B C
c. Whole-tone on C = C D E F# G# A# C
d. Chromatic on C = C C# D D# E F# G G# A A# B C |
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| Music written in two keys is called ... music. |
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| Bartok's Makrokosmos is a six-volume collection of piano pieces in ... ... |
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| ..., ..., and ... were pioneers in composing atonal music. |
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| Atonal music is based on the twelve-tone ... scale. |
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| Contemporary composers often use ... and ... in new ways. |
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| Unusual groups of beats, such as groups of ... or ... can be heard. |
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| ..., ..., and ... infused their music with rhythmic vituality. |
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Definition
| Bartok; Stravinsky; Kabalevsky |
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| New treatment of meter and rhythm reflects the folk songs styles of ... ... and ... in the music of Bartok, Stravinsky, and Kabalevsky. |
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| There may be a frequent changes of ... in Contemporary music |
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| Some concert audiences created a frenzied ... at the first hearing of Stravinsky's ballet score ... ... ... (Rite of Spring) in 1913. |
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| riot; Sacred; du; Printemps |
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| Some modern composers have experimented with electronic instruments, as well as ...-..., ..., and ... |
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| sound; recorders; computers; synthesizers. |
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| "Major and Minor," Vol. IV, No. 113, Mikrokosmos |
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| "All Alone," 24 Inventions |
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| "Bulgarian Rhythm," Vol. II, No. 59, Mikrokosmos |
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| "The Indians," Seven Songs for Voice and Piano |
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| Sacre du Printemps (Rite of Spring) |
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