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World Cinema
Mid-Term Exam
37
Film, Theatre & Television
Undergraduate 2
09/18/2011

Additional Film, Theatre & Television Flashcards

 


 

Cards

Term

 

chiaroscuro

 

Definition
the arrangement of light and dark elements in a pictorial composition; in film, it is achieved by flat, high-contrasting lighting.
Term

 

diegsis

Definition
the fictional world of the film (its adjectival form, "diegetic," means pertaining to the world of film); a term reserved for discussion of narrative fiction, not documentaries
Term

 

doppelganger

 

Definition
(literally, "double-goer"): ghostly double, "evil twin,"  soul-less other
Term

 

the fantastic

Definition
events that exceeded the scope of rational, logical explanation; the is, a realm of storytelling that includes the magical, spiritual, mystical, supernatural, or metaphysical; events or experiences that transcend our understanding of the mundane, material world
Term

 

formal analysis

Definition
examination of the outward shape or structure (form) of a work of art; examination of the arrangement of elements of a work of art; in film, this entails looking at how something is shot and cut together, how it is lit, how sound is used, etc.
Term

 

formalism

Definition
broad label for a representational style that attempts to draw attention to the form/shape/structure/design of the work of art; the formalist artist is interested in the transformation or creative manipulation of the physical world (rather than imitation) and/or of his/her materials, via distortion, fragmentation, or abstraction of space-time.
Term

 

genre

 

Definition
category or classification of a story type, grouped according to shard narrative patterns, subject matter and recognizable conventions (convention:a narrative device [type of character, style, situation, or story element] that has become established, accepted, and thereby expected by the audience)
Term

 

mise-en-scene

 

Definition
(literally, "putting-in-the-scene"): composition within the frame (the arrangement of all the visual elements within an individual shot, i.e., the characters, props, set design, lighting make-up, camera angle, camera movement, depth of field)
Term

 

motif

Definition
a recurrent thematic or visual element within a work of art.
Term

 

movement (film or art movement)

 

Definition

a broad tendency or trend during a particular period of time identifiable or unified by shared thematic and formal characteristics  

 

Term

 

realism 

Definition

broad label for arepresentational style that attempts to present a world that for the most part mirrors the space-time of the world around us; in other words, the realist style is greatly concerned with imitation, that is, with faithfully reflecting the external, physical world;

In film: think of the film-frame as a window

Term

 

thematic analysis

Definition
examination of the issues or ideas expressed by a work of art; this entails looking at story or genre, as well as a film's formal elements
Term

 

agitki

Definition
"agitation"/propaganda newsreels or shorts that were distributed (usually by "agit-vehicles") to promote Bolshevik or Communist Party ideology.
Term

 

Constructivism

Definition

modernist art movement popular in USSR, mid-teens to late '20s; it fuses art with politics; its main stylistic characteristic is awareness of structure or form; some thematic principles/tenets of the Constructivist movement are: 

-art should be used to create socially useful objects, not for contemplation or its own sake

-a Constructivist artist is like an engineer whose duty it is to help build a better society;

-a Constructivist artwork is akin to a functional machine, assembled from parts.

Term

 

Creative Anatomy

Definition
the juxtaposition of shots of different bodies or body-parts to give the illusion of a single unified body.
Term

 

Creative Geography

Definition
the juxtaposition of shots of separate or distant locations to give the illusion of spatial continuity (spatio-temporal unity).
Term

 

intellectual or associative montage

Definition
the juxtaposition of images not for the purpose of creating spatio-temporal continuity within a scene, but rather to make a thematic point, convey an abstract idea, or imply a conceptual parallel (metaphor). 
Term

 

Kino-glaz (lit. "film-eye") doctrine/method

Definition
for Dziga Vertov, a documentary filmmaking process that enables the audience "a new way of seeing, via the filmmaker's methods of creatively shooting, organizing, and editing the footage: capture "life unawares" but transform that space-time photographically; organize the footage thematically; edit the footage according to the Theory of Intervals.
Term

 

Kuleshov Effect

 

Definition
overall meaning is derived through context, i.e., while an individual shot has some meaning as a photographic record of something, it acquires larger meaning in juxtaposition to the other shots around it.
Term

 

montage

Definition
in its general sense, a French term for "editing"; more specifically, as articulated by various Soviet filmmaker/theorists of the 1920s, a dynamic approach to editing that endeavors to control a film's structure, meaning and effects. 
Term

 

reflexive film

 

Definition
one that refers to or foregrounds the process of filmmaking itself, through its narrative content and/or its technique.
Term

 

Theory of Intervals

Definition

a montage theory developed by Dziga Vertov; an "interval: is an editorial cut, or, in other words, the transition from one shot ( what Vertov would call a visual stimulus") to another;

-Vertov's theory asserts that where the cuts/transitions are made and the frequency of them determine the dynamic rhythm of the artistic whole (a sequence or entire film). 

Term

 

film d'art

Definition
term for a silent film adaptation of a literary or theatrical classic.
Term

 

photogenie

Definition
refers to the all the unique qualities and capabilities of the motion picture medium, to the beauty of the cinematic image in general, to the revelatory quality or emotional value of a close-up, to the beauty of captured movement or rhythm created through montage.
Term

 

vertical integration

Definition
refers to a film company's ownership of production studio(s), distribution agencies, and exhibition venues.
Term

 

aleatory techniques

Definition
processes that depend on chance operations/events or randomness
Term

 

l'amour fou

Definition
(lit., mad or crazy love): obsessive lust, transgressive or forbidden sexuality
Term

 

associative montage

Definition
a type of editing that links separate images not for the sake of dramatic continuity but rather to convey a thematic point or abstract idea.
Term

 

form cut (a.k.a. graphic match):

Definition
the juxtaposition of images governed by compositional similarity (geometric shape or direction of movement within the frame); often implies a thematic connection between the two (or more) juxtaposed shots.
Term

 

iconoclasm (n.; adjectival form is "iconoclastic"):

Definition
attacking established beliefs or institutions. 
Term

 

oneiric structure ("oneiric," from the Greek, meaning "dream-like"):

Definition
refers to certain sequences or entire films that blur the distinction between diegetic waking reality and diegetic dream/hallucination/fantasy/ nightmare; it is achieved through the cinematic subversion of rational space-time (in like manner to the spatio-tempral discontinuity of our dreams)
Term

 

parody (n., adjectival form is "parodic"):

Definition

 

a form of ridicule for comic effect

Term

Film

"The Cabinet of Dr. Caligari"

Definition

 

-German Expressionism

-dir.Robert Wiene, 1919

Term

Film

The Man with the Movie Camera 

 

Definition

 

Constructivism 

Dziga Vertov 1929

Term

Film

The Passion of Joan of Arc

Definition

 

Early European Avant-Garde:

French Impressionist Mov.

The "International Style"

dir., Carl Theodor Dreyer

1928

Term

Film

Entr'acte

 

Definition

The Dada Movement

dir., Rene Clair 1924

-screened at Dada ballet Relache (Performance suspended) by Francis Picabia

Term

Film

Un Chien Andalou

Definition

An Andalusian Dog; 

co-dir., Luis Bunuel/Salvador Dali

1928/29

Surrealism 

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