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| Two objects in the shot, one is in focus and one is out of focus. |
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| taking the camera off of the tripod and moving it up and down |
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| zooming in while walking away or zooming out while walking towards something. |
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| shifting focus between one object and another. |
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| One subject is in focus and one is out of focus, no shifting between objects. |
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| National Television System Committee |
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| Controlling what the audience sees. |
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| having been put into the scene. |
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| Uneasiness/tension/unrest. |
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| suggests an extreme mental or physical stress. |
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| makes subject more interesting |
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| Invisible tic-tac-toe board on the screen. It's best to place subject in one of the four cross points. |
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| The subject is actually participating in the event. |
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| the subject witnessed the event. |
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| objects appear as the eye would see them |
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| compresses distances and makes movement toward and away from lens appear slower. Allows viewer to see focus. |
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| creates distance, exaggerates movement towards and away from lens, more of the frame is in focus and it minimizes shake. |
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| gives a feeling of submission |
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| event motion that always occurs in front of the camera. |
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| Camera Movement (tilt, pan, boom, etc.) |
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| sequence motion, the rhythm and movement induced by shot changes. |
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| the process of monitoring and insuring the consistency in a production from shot to shot. |
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| draw a line through the center of your action and keep the camera on one side of the line. |
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| matte box effect for film or video placed in front of the camera |
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| any shape placed over a light |
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| two frames at the same time whose fields are the exact same. |
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| Two Fields, projecting one frame. Field 1: Odd First. Field 2: Even First. |
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