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| designed to operate from studio ceiling or floor stands |
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| directional, well-defined light that can be adujsuted from a sharp light beam to a softer beam for a larger area |
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| spotlight that can be in a flood or spot posistion |
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| spotlight that is a sharp, highly defined beam; sharper than fersnel; can move light into shapes like a triangle |
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| on ellipsoidal spotlights- instruments equipped with a slot next to the beam shaping shutters, which can hold a metal pattern called a cucloloris ("cookie") |
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| produce great amounts of highly diffused light |
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| spun glass material held in a metal frame in front of the instrument; used for floodlight |
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| popular floodlight; directional yet diffused light beam |
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| even, extremely diffused lighting; tublelike lamps; often used for flat (shadowless) lighting |
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| spotlight that is similar to a softlight but higher light output (so more shadows) |
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| use less power, not so hot, look like indoors or outdoors |
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| potable fersnel; very efficient but make noise and flicker |
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| hot outer ring, low density dark spot in middle |
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| like barn doors but not directly on light |
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| instrument size, distance, beam |
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| makes it possible to connect each lighting instrument to a specific dimmer |
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| control of light and shadows |
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| spotlights;smal area w distinct light beam and well defined shadows |
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| side, principal source of directional light |
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| behind, distinguishes subject from background |
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| direct illumination from back, highlight shoulders etc |
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| speed (degree) to which a light picture portin turns into a shadow area |
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| dramatic, mysterious created by selective shadowy lighting |
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| type every written word, easier to scan faster in editng |
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| where things are and should be on screen |
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| shoot from both sides of the motion vector line |
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| a and b will switch places each cut otherwise, want them to be in the same spot just different angle each time |
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| difference between lightest and darkest spots in pic |
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| reduces falloff and makes shadows less dense |
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