Term
|
Definition
| Found of Moscow theatre in Russia who developed the study of what it means to be an actor. |
|
|
Term
|
Definition
| defining what you and other people mean to you (in acting) |
|
|
Term
|
Definition
the main goal or aim to achieve something when acting such as
-to be seen and heard
-to listen and react
-follow the reaction not the emotion |
|
|
Term
|
Definition
| Something that hinders you from achieving your objective |
|
|
Term
|
Definition
| Used to achieve objective in acting |
|
|
Term
|
Definition
| The script or what has been said |
|
|
Term
|
Definition
| What is implied but not said |
|
|
Term
|
Definition
| You don't speak but you actively think |
|
|
Term
|
Definition
| a breath or pause; a unit of action reflecting a single objective |
|
|
Term
|
Definition
| all the relevant facts that influence a person's behavior |
|
|
Term
|
Definition
| Using given circumstances to place yourself in the life of an actor |
|
|
Term
|
Definition
| What the character wants most (emotionally related); the driving force of the smaller objectives |
|
|
Term
|
Definition
| What guides you through the piece; the spine of the text |
|
|
Term
|
Definition
| The breakdown of units and listing major objectives throughout |
|
|
Term
|
Definition
| Projecting onto people and objects; real and imagined qualities from your imagination |
|
|
Term
|
Definition
| Typically emotionally related, this is the basis for Lee Strasberg's method acting |
|
|
Term
|
Definition
| Elaborate disguise and alternations in voice and style of movement |
|
|
Term
|
Definition
| Light and color changes the mood of the scenery and also the emotions of the audience |
|
|
