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| greek god of wine, agriculture, and fertility |
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| Week long celebration of dionysius, sexually explicit, 50 tribal priests |
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| grouping of four plays: 3 tragedies related by topic, last is satire of first 3 |
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| 1st playwright to win first in contests. developed first actor, and mask |
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| Playwright, prometheus board, 7 of 80 plays survived |
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| playwright, antigone, oedipus rex, most perfect greek tragedy, 7 of 120 plays survived |
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| controversial playwright, popular after death, medea, trojan women, 18 of 90 plays survived |
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| Comic playwright, comedic commentary |
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| speech usually by head chorus member |
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| choral ode as chorus entered |
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| spoken dialogue within body of play |
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| choral ode within body of play |
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| choral ode as chorus exits |
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| closing usually by head chorus member |
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| requirements for classic tragedy |
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| serious subject matter, primary characters from upper society, leading character must face insurrmountable odds, protagonist must have tragic flaw, play must result in catharsis |
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| rolling platform-displayed dead bodies |
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| rotating prism, did not denote location, painted abstract |
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| flat panels, did not rotate, painted abstract |
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| crane- moved "god" character |
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| linen and wooden, and enlarged |
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| function of the greek chorus |
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| confidant to leads, establish social and ethical framework, ideal spectator, rhythmical function to up dramatic effects |
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| theatre structure as foundation, props used to generate enviroment, proplists steeples, rocks, signs, trees |
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| James burbuge- owned first permenant theatre "in" london |
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| Lord Chamberlains Men/ King's Men |
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| Shakespeare-renamed by king james |
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| highly popular, extension of educational system, all boys material not as body, produced in public theatres in citys limits |
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| in charge of all theatrical activity in region |
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| wooden o-thatched roof, thrust stage, flag indicated performances, 3000 ppl |
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| the globe, the swan, the hope, the fortune, the theatre, the curtain |
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| orchestra-standing room only |
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| space beneath stage- trap door access |
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| open to public, every patron had a seat, elite and tamer material |
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| theatre within palace, by royal invite only |
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