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| Rectangular w/ stage at one end |
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audience is on 3 sides of stage
(3/4 Round) |
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theatre in round
stage in middle of audience |
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| use of non-traditional space |
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| division of drama into categories as they represent different kinds of human experience |
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extreme form of comedy
challenges authority resulting in anarchy |
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| Sanchez- Scott uses comedy to |
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| address growing up, serious issues |
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fuses two or more languages & cultural experiences
(spanglish)
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mix of traditional & modern elements
audience is surprised
if you can explain it, its not magic realism |
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| 5 Goals of Solo Performance & Performance Art |
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Definition
disrupt routine & expectations
inspire change
incite discussion & interaction
evoke reactions that linger
create beauty & wonder |
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| 4 Characteristics of SP & PA |
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storytelling
documenting
mime & movement
mixing media |
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| scripted action & dialogue of musical |
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| musical with integrated plot |
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| organized around a theme w/songs functioning as connected episodes |
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| musical comprised of existing pop songs |
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| author of Evening at Warbonnet |
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Solitary Work & Revisions
Research
Working Closely w/ Company
Workshops, Staged Readings, Productions |
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| _____ prioritized plot, character, thought, diction, music and spectacle |
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| there is a dancing and singing act in the play |
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| Joe Turner's Come and Gone |
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| audience collaborates with actors |
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| audience collaborates with actors in Theatre of the Oppressed |
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| Nuyorican Salsa Musician in For Colored Girls |
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| 2 aspects that are present in all areas of stage design |
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| A type of HipHop that involves spray paint |
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| Who shifted costume design towards Realism? |
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| dialogue, stage directions, character descriptions that constitute printed text of play |
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| author of For Colored Girls |
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| type of lascivious, trickster, body humor |
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| Real Murder that Mable represents |
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Definition
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| The Curandera who has healing power in Dog Lady |
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| The play that represents Magic Realism and Comedy |
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| Not concerned with technique, more storytelling & movement |
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| Solo Performance & Performance Art |
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| A mixture of Traditional and Modern elements |
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| sound through electronic means |
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| self gratification, impulsive, manipulative, cowardly, shape-shifting, charismatic, mischevious and lascivious |
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singing and speaking
slam poetry
spoken word |
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| Will Power thinks Hip Hop is |
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| two or more elements of Hip Hop Theatre |
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| sacred circle & one person is in the middle dancing |
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characteristic of Hip Hop
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| "get something from nothing" |
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characteristic of Hip Hop
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THe other characteristics of Hip Hop
(6)
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-activism
-innovation
-musical
-Resistance, reaction
-Social communal practice
-Youth driven, centered |
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script comes from interviews, court proceedings
(primary documents) |
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| Not a complete blueprint for production |
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wrote Pittsburgh Cycle & Joe Turner's Come and Gone
-educated himself |
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Blues
(Bessie Smith)
Art
(Romare Bearen) |
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| Arena and Thrust spaces allow |
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Definition
the audience to see eachother
(NOT REALISM) |
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contributes to interpretation to play or as an expressive part of the performance
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| spatial definition info about setting |
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| used by scene designers to communicate their design |
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open playing spaces for the action
Adolphe Appia |
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Color
Shape
Timing of Light Design |
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Definition
items used onstage as they are in real life
(flashlight) |
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| diagram of position and type of each lighting instrument to be used for production |
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novelist, essayist, musician, dancer
struggled with mental illness, now an activist |
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Definition
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no center
improv
movement
- used to create the script, not IN the script |
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| no specific order, informal |
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| visual elements of the performance |
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other important Aristotle concepts
Discovery & Reversal |
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| those who replace the protagonist |
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used in tragedy
release of emotion |
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| very culturized playwright |
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Definition
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| 5 examples of Solo Performance & Performance Art |
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Definition
Mummenschanz,
Guillermo Gomez-Pena
Improv Everywhere (flash mob)
Tim Miller ( personal & community stories)
Theatre of Sand |
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fairy tales
(Into the Woods) |
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integrated plot
Oklahoma!
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| the play that is both Realism and Theatricalism |
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| Anishinaabe (Ojibwe) beliefs |
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Definition
| believed they must cross river to pass to afterlife |
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