| Term 
 | Definition 
 
        | -written by Sophie Treadwell -Expressionism play
 -Episodic structure
 -girl is forced to marry her boss by her mother, eventually she kills her husband and gets trapped in the justice system
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -written by Samuel Beckett -Absurdism piece, first major success
 -Two men in the void, tree is the only piece of scenery.
 -a being or person
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Irish, expatriated to France -wrote in French to challenge himself to simplify
 -Resistance fighter during WWII
 -"Minimalist with language to let actions speak for themselves"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -written by Eugene Ionesco -Absurdism play
 -couple eating dinner having a banal conversation...simple english sentences
 -guy as girl, girl as guy
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Romanian father, French Mother -Denounced oppression
 -Accused of "hate language"
 -"It's not a certain society that seems absurd to me, it's mankind."
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -written by August Wilson -a play written depicting the African American experience during each decade, 10th play finished months before his death
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Major contributor to African American theatre -leading American playwright of the late twentieth, early twenty-first century
 -loved music/storytelling
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -written by Caryl Churchill -About women of magnitude, distinction, and from different times
 -Touches on class, politics, women, and their choices and lack thereof
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -British, wrote 24 plays so far -plays tend to be nonrealistic
 -technique of putting down on paper the way people really speak
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | things that seem mysterious, impossible, spiritual. can be difficult to stage |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -19th century racist style of performance. in which white performers in blackface denigrated African American culture -Slave entertainments, played for the master
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -lawyer, Rhodes Scholar, Artist, Activist -appeared in "Showboat", "Othello"
 -first black actor to play Othello on an American stage
 -longest running actor as Othello
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -brilliant Shakespearian actor, first black actor to play Othello EVER. -African Grove Theatre in NYC
 -then moved to England
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Actor and director -first black director on Broadway
 -Head of Yale School of Drama
 -August Wilson's director
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -questionable marriage -wild life
 *supported herself
 -First PROFESSIONAL playwright
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -English gentry sent to court -Desired to be recognized as an intellectual, but was mocked
 -Interest in natural sciences and women
 -wrote 26 plays
 -First PUBLISHED playwright
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -wrote "The Children's Hour" * first play to explore possibility of a lesbian relationship
 *shows women are vulnerable
 -wrote "The Little Foxes"
 *powerful female figures in conflict with each other
 |  | 
        |  | 
        
        | Term 
 
        | Elements in Character Analysis |  | Definition 
 
        | 1) Given Circumstances 2) Super Objective
 3) Tactics/Actions
 4) Motivation
 5) Values
 |  | 
        |  | 
        
        | Term 
 
        | Given Circumstances (character analysis) |  | Definition 
 
        | -facts, NOT OPINIONS, about each major character -includes
 *gender
 *age
 *occupation
 *physical condition
 *relationships
 |  | 
        |  | 
        
        | Term 
 
        | Super Objective (character analysis) |  | Definition 
 
        | -What a character wants or needs -Drives them through all or most of the play
 |  | 
        |  | 
        
        | Term 
 
        | Tactics/Actions (character analysis) |  | Definition 
 
        | -What the character is willing to do to achieve a goal -State as an active verb
 |  | 
        |  | 
        
        | Term 
 
        | Motivation (character analysis) |  | Definition 
 
        | -Why? -Must be interpreted at times
 -Many characters do not openly discuss motivations
 |  | 
        |  | 
        
        | Term 
 
        | Values (character analysis) |  | Definition 
 
        | -What a character believes to be true and important -No characer has "no" values
 -Our job is to articulate without judging
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -The basic idea that two adults, a man and woman, are essential to the survival of the family -Only if both parents work at full capacity can the children survive
 *men do physical work
 *women bear the children and
 home based work
 |  | 
        |  | 
        
        | Term 
 
        | "Magic or Expanded" Realism |  | Definition 
 
        | -Embraces the world of playwright and actors -EX. Realismo
 -can be difficult to stage
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Subjective, no single correct reality -Anti-Realism
 -The "Dream" play, everything is possible
 -Image
 
 -EX. Strindberg's plays after "The Inferno" and Edvard Munch "The Scream"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | 1) Proscenium 2) Thrust
 3) Arena
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -After "The Great War" and The End of the Second World War -based on the sense of existential despair
 -nothing at the core of one's existence
 -creatures of free will
 -create meaning! -laughter & kindness
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Lighting comes from "over house" to prevent shadows -Audience in front of upstage, frame forms a picture box
 -limited points of view, but only audience side matters
 -CHALLENGE- costumes detailed for the back as well as the front
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Pavillion Theatre at PSU -3/4 round stage
 -longer and narrower
 -intimate stage, everyone is close to actors but at different angles
 -everything must be completely finished because audience can see the whole stage
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Audience is all around the stage -Scenic designs must be short to not block view
 -environment is smaller, yet more intimate
 -floor is the essential focus
 -Sounds and sense of time are challenging
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | a show with musical numbers where the primary entertainment is found in those numbers |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | spoken word, story, or book in musical theatre |  | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 | Definition 
 
        | designs of dance and movement |  | 
        |  | 
        
        | Term 
 
        | Origins of Musical Theatre |  | Definition 
 
        | 1) Vaudeville 2) Burlesque
 3) Minstrel Shows
 4) Opera
 5) Operetta
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | variety entertainment, family oriented |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | variety entertainment, adult oriented |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | combine storytelling, music, and dance |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | thru-sing (little or no spoken word) requires full chorus and orchestra
 lavish costumes and sets
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | "little opera" light musical romances
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -12 successful operettas -"Pirates of Penzance"
 *fast lyrics*
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -wrote musicals that are remembered for their great music -"Yankee Doodle"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -1st song at age 19 -Annie Get Your Gun
 Stop, Look and Listen
 -"Alexanders Ragtime Band" first major hit
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -first fully matured American musical -paved the way for the great Book musicals
 -addressed serious issues
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -influenced by black musicians -"Girl Crazy"
 "Of Thee I Sing"
 "Porgy and Bess"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -peculiar, had "all the money in the world" -genius witty lyrics, frivolous libretto
 -"The Gay Divorcee"
 "Anything Goes"
 "Can-Can"
 "Kiss Me, Kate"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -transitions into the great "book musicals" -by Richard Rodgers and Lorenz Hart
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -emphasized libretto/storyline -issues are more complex, richer, darker
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -considered by most to be the first Great "Book" Musical -Rodgers and Hammerstein
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -by Cole Porter -a play within a play
 |  | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 | Definition 
 
        | -"My Fair Lady" "Camelot"
 "Brigadoon"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -two subplots gambler and salvation girl
 Adelaide and Nathan
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Henry Higgins makes girl a dutchess by changing her voice -by Lerner and Loewe
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -"Pal Joey" -transitioned into the book musicals
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -contributed to "Great Book Musicals" -"Carousel"
 "South Pacific"
 "The King and I"
 "Flower Drum Song"
 "The Sound of Music"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -director/choreographer of "Fiddler on the Roof" |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -called by some critics, the last of the great book musicals -about a milkman in a jewish town
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | unified around a central idea, theme or motif -episodic script, contemporary popular music
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -about actors/actresses auditioning for a show -Hamlisch and Kleban
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -by Kander and Ebb -takes place in the "Kit Kat Club"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Composer -"Jesus Christ Superstar"
 "Evita"
 "Cats"
 "Phantom of the Opera"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -Composer/lyricist -experimentation with subject matter and innovative musical numbers
 -"Gypsy"
 "Sweeney Todd"
 "Into the Woods"
 "Assassins"
 |  | 
        |  | 
        
        | Term 
 | Definition 
 
        | -African American Musical -by Fats Waller
 |  | 
        |  |