Term
|
Definition
| The part of the stage projecting past the curtain into the house. |
|
|
Term
|
Definition
| first curtain upstage from the grande drape. |
|
|
Term
|
Definition
| to hinge two or three flats together so that they will stand free or fold up. |
|
|
Term
|
Definition
| continuous sections of lights hung above the stage for general illumination. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| pretending to look at someone while really keeping one's face toward the audience. |
|
|
Term
|
Definition
| moving from behind someone so one person will not be blocked by another. |
|
|
Term
|
Definition
| A move by one actor to balence the move of another actor. |
|
|
Term
|
Definition
| moving from one area to another on stage, usually marked with an X |
|
|
Term
|
Definition
| paper where cues are marked |
|
|
Term
|
Definition
| imaginary line where the curtain closes. |
|
|
Term
|
Definition
| curtain or drop across the back of the stage, serves as background for exterior scenes |
|
|
Term
|
Definition
| canvas strip 4-5 incges to cover gaps between flats |
|
|
Term
|
Definition
|
|
Term
|
Definition
| drop,made or speacial fabric, where when lighted right you can see through it |
|
|
Term
|
Definition
|
|
Term
|
Definition
| stagehand who moves scenery |
|
|
Term
|
Definition
| pieces of cloth, usually in pairs, stage left and stage right, to mask backstage area |
|
|
Term
|
Definition
| picture frome through which we see the stage |
|
|
Term
|
Definition
| to slant or set at an angle. stage - inclined |
|
|
Term
|
Definition
| short curtain just upstage of the act curtain |
|
|
Term
-confident
-intro
-imaginary other
-age/sex appropriate
-project and articulate
-start with action
-create contrast |
|
Definition
| What is important to do at an audition? (name 6) |
|
|
Term
-start with at positive
-be constructive
-Detail
-comment on action not the person
-don't give TOO much info
-talk directly to them |
|
Definition
| What is important when you give a critique? |
|
|
Term
-never say no
-listen to partner
-be flexible
-establish IMOs
-keep it going
- don't talk aimlessly |
|
Definition
|
|
Term
-who: character
-what:intent
-what:obstacle
-why:motivation
-where:circumstance and relationship
-subtext:what you are really saying |
|
Definition
What are the steps to script analysis?
(5w's) |
|
|
