Term
|
Definition
1) Acquiring the many skills (physical & vocal) the stage demands 2) To make characters believable 3) To integrate skills with credibility |
|
|
Term
|
Definition
| to throw one's voice into the audience so that it reaches to furthest areas of the theater. |
|
|
Term
|
Definition
| where all the lines of force of the body come together. Becoming "centered" for actors means they achieve a balance, a freedom, a flexibilty otherwise unattainable. |
|
|
Term
|
Definition
| a type of drama that closely resembles what people could identify with and verify from their own experiences. |
|
|
Term
|
Definition
| acting method developed by Russian actor/director Konstantin Stanislavski. Stressed "reeducation" of all normal human activities performed before an audience. |
|
|
Term
| Relaxation (Stanislavski Technique) |
|
Definition
| actors must release excess tension & the performer must achieve a state of physical & vocal relaxation. |
|
|
Term
| Concentration (Stanislavski Technique) |
|
Definition
| performers concentrate fully on some object, person, or event. The item is within their circle of attention. |
|
|
Term
| Importance of Specifics (Stanislavski Technique) |
|
Definition
| emphasis on concrete details. Performers must focus their emotions on specific objects i.e. nervous jangling of keys. |
|
|
Term
| Inner Truth (Stanislavski Technique) |
|
Definition
| imagining the inner life, thoughts, and emotions of a character and bringing them to the stage. |
|
|
Term
| Magic If (Stanislavski Term) |
|
Definition
| the word "if" can transform our thoughts, allowing us to imagine all things possible, thus allowing one to enter into the world of a character. |
|
|
Term
| Through Line/Superobjective (Stanislavski Term) |
|
Definition
| a character's driving force in a play; what a character wants during the course of the play. |
|
|
Term
|
Definition
| all actors on stage performing together to create a cohesive scene. |
|
|
Term
|
Definition
| a tool used to help performers achieve a sense of emotional truth onstage through recollection of past memories in sync with those demanded by the script. |
|
|