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| what literally transpires within a production |
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| second element of theatre |
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| thoughts, actions, values, and behaviors |
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| theme; point(s) or idea(s) that the production puts forth |
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| fourth element of theatre |
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| the way words are spoken, affects meaning |
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| all sounds in a production |
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| the glorified event (glitz, glamour) |
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| first element of simple plot |
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| inciting incident (definition) |
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| event that sets the plot in motion |
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| second element of simple plot |
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| rising complications (definition) |
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| tensions rise and subplots are introduced |
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| third element of simple plot |
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| the highest point of tension |
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| fourth element of simple plot |
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| to find fault, understand, appraise |
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| 3 essential questions to criticism |
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what is being attempted? have these intentions been achieved? was it worthwhile? |
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| tells what happens and was it successful |
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| also offers advice on improvement |
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| this type of theater is rectangular shaped, and is also known as a picture frame stage |
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| this type of theater might be a bar, restaurant, or gym |
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| this type of theater features an audience that surrounds the stage in a circle |
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| this type of theater is essentially rectangular save for an area that juts into the audience |
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| this type of theater may be arranged in a variety of ways dependent upon the production's needs |
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| what is the essence of all drama? |
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state supported mans relationship with the god's actors where revered violence is generally confined to off stage |
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some royal supports, not supported by the church humanistic issues actors thought of with distain violence that had never been seen before |
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| hamlet, king lear, macbeth, othello |
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| have actors recall actual memories to show those similar emotions of their character |
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| if i was this character, what would i do? |
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| the characters major goal or objective, the internal forces that drives the characters choices |
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