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Fragonard The Swing Roccocco style different from Neoclassicism in that it is decadent, luscious, and extravagent Neoclassicism is simpler, more restrained, functional
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David Oath of the Horatii Women: shrouded, muted colors, looking down Men: weapons, muscles, higher stature, parallels Doric columns Neoclassical idea of beauty was masculine, not feminine
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David Socrates Taking Hemlock 1787 strong geometry (lines>color) restrained emotion, noble, dignified male torso glorified in Neoclassicism
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David Death of Marat 1793 simplicity, functionality of crate (anti-Roccoco) serene face, estasis, shows Neoclassical preoccupation with death Marat was a martyr of the French Revolution
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Goya The Puppet 1791 man is helpless (limp limbs, doll face) women's faces are gentle/smiling, not harsh or demonic highlights the secret destructive powers of woman Romantic Period: a scaling down of man
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Goya The Sleep of Reason Produces Monsters (El Sueño de la razon produce monstros) from Los Caprichos 1796-1798 critiques ills of society reason embodied by the geometric lines of desk and paper and pen
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Goya Execution of May 3, 1808 1808 emphasizes brutality of French soldiers by making them anonymous and all pointing their guns at one man an exquisite balance between the longing emptiness of the back ground and the brutal chaos of the foreground
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