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| in drawing or painting, the treatment and use of light and dark, especially the gradations of light that producing the effect of modeling. (The Tribute Money by Masaccio) |
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| Latin for "memory or death" A reminder of human mortality (The Holy Trinity by |
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| The section of plaster that a fresco painter to complete in one session (The Last Judgment by Giotto) |
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| A weight shift, or creating a counterposition of the body (Donatello's David) |
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| The first coat of binder and pigment painted on a wet plaster surface |
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| Pigment mixed with egg yolk or glue |
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| A three paneled painting with hinged wings. |
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| All parallel lines converge on one, two or three vanishing points, which are all eye level to viewer. |
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| Creates illusions of distance and depth |
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| the base of an altarpiece, often decorated with small paintings or reliefs (the Holy Trinity Adam'sSkeleton) |
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| A stone ground up and painted on wall. Imported from Afghanistan (a blue color) (The Last Judgment by Giotto) |
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| A monochrome painting done mainly in neutral grays to stimulate sculpture. To create 3D looking form. |
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| Marble circular paintings. |
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| an abstract idea or concept using objects, or humans figures |
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| the triangle on top of the building. |
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