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| A mental representation that groups or categorizes object, its, or relations around common themes. |
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| A procession during which actors wear their costumes under the lights to ensure the compatibility of the colors. |
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| Deciding where and when actors will move on stage. |
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| Not realistic in its enactment |
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| Approach to design that imitates realistic details of the environment of the play. |
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| A technique for developing a character in which the actor experiences a moment from his or her lie hat stimulated an emotion similar to the one that the actor's character is feeling at a certain point in the play. |
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| Memories of sights, sounds, smells, tastes, and textures. It is used to help define a character in a certain situation. |
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| A picture created by a designer to communicate with other production personnel. Could be in costume design or what the stage will look like from the house. |
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| A three dimensional miniature version of the set, built to scale. |
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| A drafting of the plan of the set as seen from overhead. A group plan shows where any scenic pieces or set props are placed. |
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| The way the audience views what just happened or the artist meaning beyond the obvious meaning. |
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| A technical drawing created by the lighting designer showing where each instrument is to be hung, along with the type of instrument and color filters to be used. |
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| Payments to the playwright made by the producing organization each time a play is produced. |
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| A artist who creates a visual home for the play on stage. Many people may help build scenery, but the designer envisions and controls the visual effect. Also called set designer. |
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| A member who ensures that things run smoothly on and off stage. They coordinate rehearsal and performance and keep the directors artistic choices intact during its run |
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| Safety of the theatre and scheduling for construction. Makes sure designs are done to designers specifications. |
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| An artist who designs or affects all visual elements by controlling focus and mood with color, placement, and intensity of light. |
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| Scenery that imitates the interior of a room with walls, sometimes ceiling, furniture, and visual detail, standard in Europe and north america after 1830 |
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| In 19th century Europe, the practice researching and recreating authentic styles of dress, architecture, and interior design when producing plays written or set in the past. Term later replaced by historic accuracy |
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| A chart that records items of clothing worn by each actor in each scene of a play. |
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| The outer shape of a costume. Time period and culture. Also called line. |
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