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| between classic and romanticism |
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| A large Orchestral piece in several movements |
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| A large composition for orchestra |
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| music for a smaller ensemble or smaller setting |
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| two violins, one viola, one cello |
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| multi-movement work for solo piano or piano plus one other instrument |
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| fast, slow, dance, faster |
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| developed by the Classical composers and used in almost all the first movements of their symphonies. Fast. |
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| Form consisting of one main theme or tune alternating with other themes or sections |
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| the volume of sound, the loudness or softness of a musical passage |
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| The basic subject matter of a piece of music. |
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| A short fragment of melody or rhythm used in constructing a long section of music |
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| The technique of reducing a theme to fragmentary movements |
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| The sonorous quality of a particular instrument, voice or combo of instruments, or voices |
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| The blend of the various sounds and melodic lines occurring simultaneously in a piece of music |
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| The notes or chords ending a section of music with a feeling of conclusiveness |
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| The center for music during the days of Beethoven and Mozart |
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| music should be light, pleasing, and entertaining |
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| Received Mozart as a musician |
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| Form consisting of a tune (the theme) plus a number of variations on it |
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| light elegant court dance |
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| A form developed by Beethoven, Italian for joke |
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| psychological progression |
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| Three style periods of Beethoven |
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-Early
-Sturm und Drung
Late period |
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