Descent From the Cross

Rosso Fiorentino

1500-25 (5.1)

Deposition

Pontormo

1525-50 (5.2)

Medici Chapel: Tomb of Guiliano

Michaelangelo

1519-34

Figures represent 2 members of family & ways of life

Active- day&night

Contemplative- dawn&dusk

Vestibule of Laurentian Library

Michaelangelo

1550-74 (5.3)

Whimsical, disproportianate architecture

Last Judgement

Michaelangelo

1525-50 (5.2)

Elenora of Toledo and her Son

Bronzino

1550

Bronzino-wall eyed figures

Boneless>change in aesthtics

Allegory of Venus

Bronzino

1525-50 (5.2)

Rape of the Sabine Women

Giovanni de Bologna

1575-1600 (5.4)

Meanining added after created>more interested in form

Madonna of the Long Neck

Parmagianino

1525-50 (5.2)

Unstable postures

Huge spacial recession in background

Palazzo del Te, courtyard

Giulio Romano

1525-50 (5.2)

Amusing if you are familiar with typical classical architecture

Palazzo del Te, Room of the Giants

Guilio Romano

1525-50 (5.2)

Jupiter and Io

Correggio 

1525-50 (5.2)

Mannerist because of subject-overtly sexual

Self Portrait

Sofonisba Anguissola

1550-75 (5.3)

Mannerist only because of date

1st known female painter

demonstrates her ability through portraits

Burial of the Count Orgaz

El Greco

1575-1600 (5.3)

Known for elongated figure type

action completed in viewers world