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| Interest in symbolic meanings beyond surface appearances of objects |
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| Philosopher; influenced metaphysical school |
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Hugo ball, Richard huelsenbeck, And Tristan Tzara |
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| Futurist artist known for bruitisme |
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Noise-music effects; Futurism and Dada |
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| Artist known for readymades |
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| Artist known for concretions |
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Nonobjective art; Organic forms |
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| Artist known for functionless machines |
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| Images made with abstract machine parts |
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Photo; Unfixed print is exposed to light and then fixed. |
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| Artist known for rayographs |
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Photo image without camera (Photogram) |
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| Artist known for photomontage |
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| A collage made with cut photographs |
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| Modigliani, Soutine, Pascin, and Utrillo |
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| German expressionists, former after WWI; promoted idealism. |
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| Entartete/ Degenerate Art |
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| Designation given by the Nazis to avant-grade art |
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Artist known for Decoupage |
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Spokesperson for Surrealism |
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Psychoanalyst, Influenced surrealism |
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Artist known for Frottage |
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| Images created by rubbing over different textures. |
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| Images created by transferring paint from one surface to another. |
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| Projecting lintel without support; reinforced concrete, based on post and lintel. |
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Architect; Director of Bauhaus |
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German school of architecture, Design, etc |
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Architect known for: "Less is more." |
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| Architect known for houses that are 'machines for living' |
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| Artist known for light modulators |
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| Photo images without a camera |
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Circle and square; European geometric abstraction group |
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| European painterly abstractionists |
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| Artists known for mobiles and stabiles |
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| Works of Calder without movement. |
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| Artist, leader of the eight. |
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| Independent artists; mostly realists, non-academic painters in the US |
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| Nickname for the eight because of ordinary subject matter used. |
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| Photographer associated with Camera Works and Gallery 291 |
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| Periodical by Stieglitz and Steichen |
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| Held exhibitions of modern art |
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| The first European modern art exhibition in the US; New York, 1913 |
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Photographer Leader of f/64 |
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| Small aperture used for depth of field |
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American style similar to Orphism |
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| Water-based painting on moist plaster |
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