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| includes all of the preperations and activities before you actually move into the studio or the field on the first day of production |
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| Includes all activities in which an event is video-recorded or televised. |
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| Video and audio editing ect... |
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| A model which helps you move from the original idea to the finished production. It helps you complete tasks on time |
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| Idea, define process message, production, actual process message |
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| What you want the audience to think, do and feel before you think about the necessary technical requirements. |
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| The people, facilities, and equiptment necessary for the preproduction, production and the post-production phases. |
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| specific story focus, a point of view in which we look at and describe an event. |
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| Technical Production Personnel |
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| People who are primarily concerned with operating equiptment. |
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| News production Personnel |
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| people dedicated exclusivley to the production of news, documentaries, and special events. |
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| equiptment and people who operate that equiptment for the production of specific programs |
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| Electronic News Gathering- usually done with a camcorder which houses an entire video system in an amazingly small box. It contains everything needed to capture and record an event |
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| Electronic Field Production- a single portable EDP camera and an external recording device. |
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| Six Basic Production Elements |
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| camera, lighting, audio, switcher, video recorder, and post-prodution editing. |
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| ENG and EFP Cameras are different from home cameras because |
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Definition
| they have better lens, better imaging devices, and more controls. The higher end models have tapeless recorders which make it easily transferrable to a digital imaging system. |
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| has a sharp beam and produces harsh shadows. In tv and motion picture they are called spot lights. |
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| has a wide indistinct beam that illuminates a relativley large area and produces soft, translucent shadows. In film and tv these are called floodlights. |
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| colors are faithfully reproduced even in the shadow areas, that there is detailing in all lighthing. |
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| Little contrast between light and shadows |
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| Clipped to a newscasters lapel |
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| like a car radio. you can switch between various video inputs ect.. |
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| can make use of hard drives, optical discs, and memory cards or flash drives. |
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| a system which does not use a videotape. Taken from a hard drive to a laptop, computer, ect...with an editing system. Most let you produce high-resolution, full-frame, full-motion video and audio sequences. |
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| Digital or Analog Videotape for your post-production. Normally requires two source VTRS, original material and the record VTR. All three are sychronized by the edit controller or edit control unit. |
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