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| Instruments used in classical orchestra |
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Woodwinds: Flute, oboe, clarinet, bassoon Strings: Violin, viola, cello, double bass Brass: Trumet and french horn Percussion: Timpani |
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1. Exposition 2. The development 3. Recapitulation |
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| Short musical ideas developed within a composition |
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1. a vigorous, dramatic fast movement 2. a lyrical slow movement 3. A dance like movement 4. A brilliant or heroic fast movement |
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| extended composition for instrumental soloist adn orchestra-three movements |
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| unaccompanied section of virtuoso displayed for the soloist in a concerto, usually appearing near the end of the first movement and sometimes in the last. |
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| music using a small group of musicians, with one player per part |
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what could mozart do at 6
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| at six, mozart could play the harpsichord, violin, improvise fugues, write minuets and read music perfectly at first sight. |
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| who bridged classical and romantic era |
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| instrumental music associated ith a story, poem, idea, or scene. |
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| size of romantic orchestra |
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| slight holding back or pressing formward of tempo to intensify the expression of the music |
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| Alternation of the character of a theme by means of changes in dynamic, orchestrations, or rhthym, when it returns in a later movement or section |
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| setting of a poem for solo voice and piano, translating the poem's mood and imaginary into music |
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| song set to a german text |
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| way of structureing a piece of music based on the repetition of one formal section or block played repeatedly |
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| music which is relatively continuous, non-sectional, and non-repetitive. Vocal form in which there is new music for each stanza |
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| music intended to be performed before ad during a play, setting the mood for the drama |
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| one movement orchestral composition based to some extent on literary or pictoral ideas |
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| single melody used in several movements of a long work to represent a recurring idea |
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| movement in art, architecture, and design in Europe and north america characterized by a revival of clasical greek and roman styles |
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| absence of tonality or key |
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| approach to pitch organization using two keys at the same time |
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| evocation of primitive power though insistent rythms and percussive sounds |
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| music characterizede by a steady pulse, clear tonality, adn insistent repetition of short melodic patterns |
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| refers to melodic melodies used in indian classical music. |
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| a rythmical pattern that determines the rythmical structure of a composition in indian music. |
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| one melody, but different variations of it are being sung or played at the same time. |
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| indian classical stringed intrument |
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| north indian drum set consisting of the dragga and the tabal. |
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pressure drum talking drum |
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| founder of czech national music |
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| musical style that stressed color, atmosphere, and fluidity, typical of debussy |
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