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| The commencment of two or more stressed syllables of a word group either with the same consonant sound or group. |
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| A passing or casual reference; an incidental mention of something. |
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| A person who is apposed to, struggles against, or competes with another. |
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| The gaseous evelope surrounding the Earth; the air. |
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| Any light, simple song, especally one of sentimental or romantic character, having two or more stanzes all sung to the same melody. |
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| Unrymed verse, especally the unrymed iambic pentameter most frequently used in Eniglish drama. |
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| The highest or most intense point in the development or resolution of something. |
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| To come into a collision or disaggreement. |
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| A pair of successive lines of a verse. |
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| The final resolution of the intricies of a plot, as of a drama or novel. |
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| A verietly of a language that is distinguished from other varieties of the same language by features. |
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| Conversation between two or more persons. |
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| In literature or drama, a character who undergoes a permanent change in outlook or character during their story. |
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| a large-scale public exhibition or show manfactured products. |
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| A short tale to teach a moral lesson. |
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| Easily recoginezd character type in fictionwho might not be fully delineated but is useful carrying out some narrative purposes. |
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| The terminal part of the let, below the ankle joint, on whichthe body stands or moves. |
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| To show or indicate beforehand; prefigure. |
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| Verses that does not flow a mixed material pattern. |
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| Class or category of artistic endeavor having a particular form, content, technigue, or the like. |
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| A man distinguished curage or ability, admired for his brave deeds and noble qualities. |
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| Obvious and intentional exaggeration. |
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| Any various devices furinishing artifical light, as by electicty or gas. |
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| The use of words to conveay a meaning |
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| A short poem of songlike quality. |
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| A figure of speech in which a term or phrase is applied to something to which it is not literally applicable in order to suggest a resemblance. |
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| The fundamental unit of length in the Metric system. |
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| A line of verse consisting of five materical feet. |
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| The arttribution of the personal nature of a personal character. |
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| A secret plan or scheme to accomplish, some purpose. |
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| A specified or stated manner of consideration or appeaisal. |
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| Identity in sound of some part. |
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| The patterns of rhymes used in a poem. |
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| Movement or procudure with uniform or patterned recurrence of a beat. |
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| A character in Fiction who is explained Fully by the Author. |
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| The act of a person or thing that sets. |
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| A literary character who remains basically unchanged troughout a work. |
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| Cheerful readiness, promptness or willingness. |
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| An active hostility opposition, as between unfriendly or conflicting groups. |
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| A preceding Circumstance, event, object, style, etc. |
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| A personpowered to decide matters at issue. |
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| The original pattern or model form which all things of the same kind are copied or on wich they are based. |
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| Harsh discordance of sound; dissonance. |
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| To surrander unconditionally or on stioulated terms. |
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| Having or claiming to have the power of seeing objects or actions beyond the rage of natural vision. |
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| A flowing together of two or more streams. |
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| Willingness to believe or trust to readily. |
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| Inharmonious or harsh sound. |
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| Allowing the possibility of several different meanings. |
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| The derviation of a word. |
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| To clear form or change of guilt or fault. |
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| To amend by removing words. |
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| Marked by or attached with ignominy. |
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| Embodied in flesh; given body. |
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| Orginiating in a characterstic of a particular region or country. |
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| A person who takes part in a conversation or dialogue. |
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| Refusing to agree or compromise. |
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| Probhiting violation; secure from destruction. |
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| To lesson in force or intensity, as wrath, greif. |
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| Unmoved by persuasion, pity, or tender feeling. |
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| Characterized by or showing servile complaisance or deferance. |
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| A person who dilivers an oration; a public speaker. |
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| Deliberately faithless; treherous; deceitful. |
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| Having an apperance of truth or reason. |
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| To prevent the presence, existance, oroccurence of. |
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| Natural or habitual inclination or tendency. |
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| Rightness of principle or conduct. |
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| A feeling or attitude of deep respect tinged with awe. |
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| To bring under compplete control ro subjection. |
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| Being more than is sufficient or required. |
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| To violate a law, command, moral code. |
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| Habitual observance of truth in speech or ststement; trouthfulness. |
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| The commencment of two or more stressed syllables of a word group either with the same consonant sound or group. |
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Term
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Definition
| The commencment of two or more stressed syllables of a word group either with the same consonant sound or group. |
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