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| Process of obstructing, molding, and reshaping out going air waves in order to form distinct phonemes or sounds of a language. |
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| Clear precise articulation. Freedom from mumbling. Say all the sounds. |
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| The choice of a phoneme for a given word. The sound you pick to be in a word. |
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| The choice of a phoneme for a given word. The sound you pick to be in a word |
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| Writen (orthographic) alphabet |
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| A-Z How you spell words on paper. |
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| Written reference to speech sounds. IPA: International phonetic alphabet |
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| Result from a significant degree of obstruction of the articulators. |
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| Free of obstruction depend more on resonation in the oral cavities |
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| where the sound is made, where the articulators are when you make the sound |
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| top teeth are on your bottom lip |
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| tongue goes between your teeth |
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| tongue hitting the alveolar ridge (front sound) |
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| tongue getting close to the soft pallet (back sounds) |
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| tongue getting close to the hard pallet (mid sounds) |
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| Opening between the vocal folds |
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| How the sound is made, or how you obstructed the air strain |
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| narrow the articulators and force air through. creating friction |
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| blend of the stop and the affricate |
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| direct the air into the nasal cavity |
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Definition
| have no fixed articulatory position, fairly open |
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Definition
| more constriction than a glide, not enough to create friction |
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| whether the vocal folds are vibrating or not |
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| vocal folds are vibrating |
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| vocal folds are not vibrating |
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| have the same place, same manner, just different in voicing |
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| what you are saying. ideas and thoughts you convey to your listener. |
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| How you say it. this impacts your message content |
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| the person's voice going through the air to your ear |
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| the sound of your own voice through the vibration of your skull |
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| a patten of vocal behavior acquired by repetition |
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| The voice that uses your physical make up in an efficient and easy manor that achieves breathing, phonation and resonance. (ideally your habitual voice is your natural voice) |
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