Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/map24.jpg |
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Definition
| Europe in the 17th century. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-01.jpg |
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Definition
| CARLO MADERNO, Santa Susanna, Rome, Italy, 1597-1603. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-02.jpg |
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Definition
| CARLO MADERNO, facade of Saint Peter's, Vatican City, Rome, Italy, 1606-1612. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-03.jpg |
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Definition
| CARLO MADERNO, plan of Saint Peter's, Vatican City, Rome, Italy, with adjoining piazza designed by GIANLORENZO BERNINI. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-04.jpg |
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Definition
| Aerial view of Saint Peter's, Vatican City, Rome, Italy, 1506-1666. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-05.jpg |
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Definition
| GIANLORENZO BERNINI, baldacchino, Saint Peter's, Vatican City, Rome, Italy, 1624-1633. Gilded bronze, approx. 100' high. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-06.jpg |
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Definition
| GIANLORENZO BERNINI, Scala Regia, Vatican City, Rome, Italy, 1663-1666. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-07.jpg |
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Definition
| GIANLORENZO BERNINI, David, 1623. Marble, approx. 5' 7" high. Galleria Borghese, Rome. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-08.jpg |
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Definition
| GIANLORENZO BERNINI, interior of the Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy, 1645-1652. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-09.jpg |
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Definition
| GIANLORENZO BERNINI, Ecstasy of Saint Teresa, Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy, 1645-1652. Marble, height of group 11' 6". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-10.jpg |
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Definition
| FRANCESCO BORROMINI, facade of San Carlo alle Quattro Fontane, Rome, Italy, 1665-1676. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-11.jpg |
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Definition
| FRANCESCO BORROMINI, plan of San Carlo alle Quattro Fontane, Rome, Italy, 1638-1641. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-12.jpg |
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Definition
| FRANCESCO BORROMINI, Chapel of Saint Ivo, College of the Sapienza, Rome, Italy, begun 1642. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-13.jpg |
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Definition
| FRANCESCO BORROMINI, plan of the Chapel of Saint Ivo, College of the Sapienza, Rome, Italy, begun 1642. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-14.jpg |
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Definition
| Chapel of Saint Ivo (view into dome), College of the Sapienza, Rome, Italy, begun 1642. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-15.jpg |
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Definition
| GUARINO GUARINI, Palazzo Carignano, Turin, Italy, 1679-1692. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-16.jpg |
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Definition
| GUARINO GUARINI, Chapel of Santissima Sindone (view into dome), Turin, Italy, 1667-1694. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-17.jpg |
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Definition
| Dome of Sant'Eligio degli Orefici (view into dome), Rome, Italy, attributed to BRAMANTE and RAPHAEL, ca. 1509; reconstructed ca. 1600. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-18.jpg |
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Definition
| CARAVAGGIO, Conversion of Saint Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, Italy, ca. 1601. Oil on canvas, approx. 7' 6" x 5' 9". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-19.jpg |
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Definition
| CARAVAGGIO, Calling of Saint Matthew, Contarelli Chapel, San Luigi dei Francesi, Rome, Italy, ca. 1597-1601. Oil on canvas, 11' 1" x 11' 5". |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-20.jpg |
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Definition
| CARAVAGGIO, Entombment, from the chapel of Pietro Vittrice, Santa Maria in Vallicella, Rome, Italy, ca. 1603. Oil on canvas, 9' 10 1/8" x 6' 7 15/16". Musei Vaticani, Pinacoteca, Rome. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-21.jpg |
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Definition
| ARTEMISIA GENTILESCHI, Judith Slaying Holofernes, ca. 1614-1620. Oil on canvas, 6' 6 1/3" x 5' 4". Galleria degli Uffizi, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-22.jpg |
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Definition
| ANNIBALE CARRACCI, Flight into Egypt, 1603-1604. Oil on canvas, approx. 4' x 7' 6". Galleria Doria Pamphili, Rome. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-23.jpg |
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Definition
| ANNIBALE CARRACCI, Loves of the Gods, ceiling frescoes in the gallery, Palazzo Farnese, Rome, Italy, 1597-1601. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-24.jpg |
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Definition
| QUIDO RENI, Aurora, ceiling fresco in the Casino Rospigliosi, Rome, Italy, 1613-1614. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-25.jpg |
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Definition
| PIETRO DA CORTONA, Triumph of the Barberini, ceiling fresco in the Gran Salone, Palazzo Barberini, Rome, Italy, 1633-1639. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-26.jpg |
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Definition
| GIOVANNI BATTISTA GAULLI, Triumph of the Name of Jesus, ceiling fresco with stucco figures in the vault of the Church of Il Gesù, Rome, Italy, 1676-1679. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-27.jpg |
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Definition
| FRA ANDREA POZZO, Glorification of Saint Ignatius, ceiling fresco in the nave of Sant'Ignazio, Rome, Italy, 1691-1694. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-28.jpg |
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Definition
| JOSÉ DE RIBERA, Martyrdom of Saint Bartholomew, ca. 1639. Oil on canvas, approx. 7' 8" x 7' 8". Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-29.jpg |
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Definition
| FRANCISCO DE ZURBARÁN, Saint Serapion, 1628. Oil on canvas, 3' 11 1/2" x 3' 4 3/4". Wadsworth Atheneum, Hartford (The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-30.jpg |
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Definition
| DIEGO VELÁZQUEZ, Water Carrier of Seville, ca. 1619. Oil on canvas, 3' 5 1/2" x 2' 7 1/2". Wellington Museum, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-31.jpg |
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Definition
| DIEGO VELÁZQUEZ, Surrender of Breda, 1634-1635. Oil on canvas, 10' 1" x 12' 1/2". Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-32.jpg |
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Definition
| DIEGO VELÁZQUEZ, King Philip IV of Spain (Fraga Philip), 1644. Oil on canvas, 4' 3 1/8" x 3' 3 1/8". The Frick Collection, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-33.jpg |
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Definition
| DIEGO VELÁZQUEZ, Las Meninas (The Maids of Honor), 1656. Oil on canvas, approx. 10' 5" x 9'. Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-34.jpg |
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Definition
| PETER PAUL RUBENS, Elevation of the Cross, Antwerp Cathedral, Antwerp, Belgium, 1610. Oil on panel, 15' 1 7/8" x 11' 1 1/2" (center panel), 15' 1 7/8" x 4' 11" (each wing). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-35.jpg |
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Definition
| PETER PAUL RUBENS, drawing of Laocoön, ca. 1600-1608. Black-and-white chalk drawing with bistre wash, approx. 1' 7" x 1' 7". Ambrosiana, Milan. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-36.jpg |
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Definition
| PETER PAUL RUBENS, Arrival of Marie de' Medici at Marseilles, 1622-1625. Oil on canvas, approx. 5' 1" x 3' 9 1/2". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-37.jpg |
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Definition
| PETER PAUL RUBENS, Allegory of the Outbreak of War, 1638. Oil on canvas, 6' 9" x 11' 3 7/8". Pitti Gallery, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-38.jpg |
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Definition
| ANTHONY VAN DYCK, Charles I Dismounted, ca. 1635. Oil on canvas, approx. 9' x 7'. Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-39.jpg |
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Definition
| CLARA PEETERS, Still Life with Flowers, Goblet, Dried Fruit, and Pretzels, 1611. Oil on panel, 1' 7 3/4" x 2' 1 1/4". Museo del Prado, Madrid. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-40.jpg |
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Definition
| HENDRICK TER BRUGGHEN, Calling of Saint Matthew, 1621. Oil on canvas, 3' 4" x 4' 6". Centraal Museum, Utrecht (acquired with the aid of the Rembrandt Society). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-41.jpg |
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Definition
| GERRIT VAN HONTHORST, Supper Party, 1620. Oil on canvas, approx. 7' x 4' 8". Galleria degli Uffizi, Florence. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-42.jpg |
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Definition
| FRANS HALS, Archers of Saint Hadrian, ca. 1633. Oil on canvas, approx. 6' 9" x 11'. Frans Halsmuseum, Haarlem. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-43.jpg |
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Definition
| FRANS HALS, The Women Regents of the Old Men's Home at Haarlem, 1664. Oil on canvas, 5' 7" x 8' 2". Frans Halsmuseum, Haarlem. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-44.jpg |
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Definition
| REMBRANDT VAN RIJN, Anatomy Lesson of Dr. Tulp, 1632. Oil on canvas, 5' 3 3/4" x 7' 1 1/4". Mauritshuis, The Hague. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-45.jpg |
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Definition
| REMBRANDT VAN RIJN, The Company of Captain Frans Banning Cocq (Night Watch), 1642. Oil on canvas (cropped from original size), 11' 11" x 14' 4". Rijksmuseum, Amsterdam. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-46.jpg |
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Definition
| REMBRANDT VAN RIJN, Return of the Prodigal Son, ca. 1665. Oil on canvas, approx. 8' 8" x 6' 9". Hermitage Museum, Saint Petersburg. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-47.jpg |
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Definition
| REMBRANDT VAN RIJN, Self-Portrait, ca. 1659-1660. Oil on canvas, approx. 3' 8 3/4" x 3' 1". The Iveagh Bequest, Kenwood House, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-48.jpg |
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Definition
| REMBRANDT VAN RIJN, Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print), ca. 1649. Etching, approx. 11" x 1' 3 1/4". Pierpont Morgan Library, New York. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-49.jpg |
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Definition
| JUDITH LEYSTER, Self-Portrait, ca. 1630. Oil on canvas, 2' 5 3/8" x 2' 1 5/8". National Gallery of Art, Washington (gift of Mr. and Mrs. Robert Woods Bliss). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-50.jpg |
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Definition
| AELBERT CUYP, A Distant View of Dordrecht, with a Milkmaid and Four Cows, and Other Figures (The “Large Dort"), late 1640s. Oil on canvas, approx. 5' 1" ´ 6' 4 7/8". National Gallery, London. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-51.jpg |
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Definition
| JACOB VAN RUISDAEL, View of Haarlem from the Dunes at Overveen, ca. 1670. Oil on canvas, approx. 1' 10" x 2' 1". Mauritshuis, The Hague. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-52.jpg |
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Definition
| JAN VERMEER, The Letter, 1666. Oil on canvas, 1' 5 1/4" x 1' 3 1/4". Rijksmuseum, Amsterdam. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-53.jpg |
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Definition
| JAN VERMEER, Allegory of the Art of Painting, 1670-1675. Oil on canvas, 4' 4" x 3' 8". Kunsthistorisches Museum, Vienna. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-54.jpg |
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Definition
| JAN STEEN, The Feast of Saint Nicholas, ca. 1660-1665. Oil on canvas, 2' 8 1/4" x 2' 3 3/4". Rijksmuseum, Amsterdam. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-55.jpg |
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Definition
| PIETER CLAESZ, Vanitas Still Life, 1630s. Oil on panel, 1' 2" x 1' 11 1/2". Germanisches Nationalmuseum, Nuremberg. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-56.jpg |
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Definition
| WILLEM KALF, Still Life with a Late Ming Ginger Jar, 1669. Oil on canvas, 2' 6" x 2' 1 3/4". Indianapolis Museum of Art, Indianapolis. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-57.jpg |
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Definition
| RACHEL RUYSCH, Flower Still Life, after 1700. Oil on canvas, 2' 6" x 2'. The Toledo Museum of Art, Toledo (purchased with funds from the Libbey Endowment, gift of Edward Drummond Libbey). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-58.jpg |
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Definition
| NICOLAS POUSSIN, Et in Arcadia Ego, ca. 1655. Oil on canvas, approx. 2' 10" x 4'. Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-59.jpg |
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Definition
| NICOLAS POUSSIN, Burial of Phocion, 1648. Oil on canvas, approx. 3' 11" x 5' 10". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-60.jpg |
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Definition
| CLAUDE LORRAIN, Landscape with Cattle and Peasants, 1629. Oil on canvas, 3' 6" x 4' 10 1/2". Philadelphia Museum of Art, Philadelphia (the George W. Elkins Collection). |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-61.jpg |
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Definition
| FRANÇOIS MANSART, Orléans wing of the Château de Blois, Blois, France, 1635-1638. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-62.jpg |
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Definition
| LOUIS LE NAIN, Family of Country People, ca. 1640. Oil on canvas, approx. 3' 8" x 5' 2". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-63.jpg |
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Definition
| JACQUES CALLOT, Hanging Tree, from the Large Miseries of War series, 1633. Etching, 3 3/4" x 7 1/4". Bibiliothèque Nationale, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-64.jpg |
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Definition
| GEORGES DE LA TOUR, Adoration of the Shepherds, 1645-1650. Oil on canvas, approx. 3' 6" x 4' 6". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-65.jpg |
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Definition
| HYACINTHE RIGAUD, Louis XIV, 1701. Oil on canvas, approx. 9' 2" x 6' 3". Louvre, Paris. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-66.jpg |
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Definition
| CLAUDE PERRAULT, LOUIS LE VAU, and CHARLES LE BRUN, east facade of the Louvre, Paris, France, 1667-1670. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-67.jpg |
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Definition
| Aerial view of palace at Versailles, France, begun 1669, and a portion of the gardens and surrounding area. The white trapezoid in the lower part of the plan (FIG. 24-68) outlines the area shown here. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-68.jpg |
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Definition
| Plan of the park, palace, and town of Versailles, France, (after a seventeenth-century engraving by FRANÇOIS BLONDEL). The area outlined in the white trapezoid (lower center) is shown in FIG. 24-67. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-69.jpg |
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Definition
| JULES HARDOUIN-MANSART and CHARLES LE BRUN, Galerie des Glaces (Hall of Mirrors), palace of Versailles, Versailles, France, ca. 1680. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-70.jpg |
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Definition
| FRANÇOIS GIRARDON and THOMAS REGNAUDIN, Apollo Attended by the Nymphs, Grotto of Thetis, Park of Versailles, Versailles, France, ca. 1666-1672. Marble, life-size. Park of Versailles. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-71.jpg |
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Definition
| JULES HARDOUIN-MANSART, Royal Chapel, with ceiling decorations by Antoine Coypel, palace of Versailles, Versailles, France, 1698-1710. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-72.jpg |
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Definition
| JULES HARDOUIN-MANSART, Église de Dôme, Church of the Invalides, Paris, France, 1676-1706. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-73.jpg |
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Definition
| INIGO JONES, Banqueting House at Whitehall, London, England, 1619-1622. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-74.jpg |
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Definition
| SIR CHRISTOPHER WREN, new Saint Paul's Cathedral, London, England, 1675-1710. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-75.jpg |
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Definition
| JOHN VANBRUGH, Blenheim Palace, Oxfordshire, England, 1705-1722. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-76.jpg |
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Definition
| BALTHASAR NEUMANN, interior of the pilgrimage chapel of Vierzehnheiligen, near Staffelstein, Germany, 1743-1772. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-77.jpg |
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Definition
| Plan of Vierzehnheiligen, near Staffelstein, Germany. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-78.jpg |
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Definition
| EGID QUIRIN ASAM, Assumption of the Virgin, monastery church at Rohr, Germany, 1723. Marble and stucco. |
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Term
| http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch24/24-79.jpg |
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Definition
| GIAMBATTISTA TIEPOLO, The Apotheosis of the Pisani Family, ceiling fresco in the Villa Pisani, Stra, Italy, 1761-1762. |
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