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| Conventional Storytelling |
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Definition
used most often in concurance with the notion of 'multi-media' society has also become more comfortable with a 'non-linear' style, or presentations with no time flow at all. We see film makers only just now starting to experiment with non-linear time, and only a few film makers attempt to make films with no story or narrative at all. |
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| using tools to best put together an arrangment |
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| what are the 5 IMAGE ELEMENTS of video and film? |
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| light and color, two dimensional space, three dimensional space, time/motion, and sound |
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| translating an idea into a message for a specific communication medium |
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| changing from low to high key can signal how the event will go |
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| element that operates as an aesthetic intensifier in a scene |
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| refers to the arrangement key, back, and fill lights. fill light controls falloff, key light is the main source of illumination, and the back light separates the figure from the background. |
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| fast falloff and light/dark contrast |
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| highly diffused light that seems to come from all directions. no apparent principal light source. slow falloff. |
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| dark background and directional fill on subject. illuminated figures only. dense shadows. fast falloff. |
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| specific area lighting-fill light for making shadows transparent. fast falloff. |
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| what are the 2 principal lighting techniques |
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| color name, color strength, how light or dark it is |
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| shining colored lights to mix |
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| color temperature is measured in |
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| encoding a message involves what? |
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Definition
| film stock(b&w or color), colortemperature(whiteness=3200k) |
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| director of photography/cinematographer |
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| the person who controls the looks of the film by lighting and camera operation |
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| informational(tell more of a story), compositional(balance of colors), expressive(adding personal statement) |
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| internal events of a story |
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