Term
|
Definition
| the three-dimensional field with which the artist works, including both filled and unfilled areas |
|
|
Term
|
Definition
| a physically filled area in a three-dimensional work |
|
|
Term
|
Definition
| a physically unfilled area in a three-dimensional work; in subtractive sculpture, a previously filled area that was cut away to reveal the form |
|
|
Term
|
Definition
| an unfilled area described by filled areas of a three-dimensional work |
|
|
Term
|
Definition
| the size and impact of the field in which a three-dimensional work is experienced. This field may not stop at the physical boundaries of the work |
|
|
Term
|
Definition
| the illusionary line between a figure's eyes and something at which it appears to be looking |
|
|
Term
|
Definition
| the area controlled by a three-dimensional piece, including not only its form but also a subtly energized but physically unfilled area in or around the work |
|
|
Term
|
Definition
| three-dimensional art designed to engage the viewer physically |
|
|
Term
|
Definition
| the size of an object in relationship to other objects and to its surroundings |
|
|
Term
|
Definition
| very large, imposing works of art that may or may not serve memorial purposes |
|
|
Term
|
Definition
| exaggeration of the illusionary convergence of parallel lines toward the horizon, used in set design to make a shallow space appear deeper |
|
|
Term
|
Definition
| the optical illusion that parallel lines converge toward a distant vanishing point |
|
|
Term
|
Definition
| the optical illusion that areas closer to the viewer are sharper in detail, colour intensity, and value contrast than areas farther away, sometimes used intentionally by artists to create illusions of spatial depth |
|
|
