Term
| how many channels on the SSL SL 9000J |
|
Definition
|
|
Term
| how many channels on the AMEK 9098i |
|
Definition
|
|
Term
| how many inputs on the SSL SL 9000J |
|
Definition
|
|
Term
| how many inputs on the AMEK 9098i |
|
Definition
|
|
Term
| how many channels on the AWS 900+ |
|
Definition
|
|
Term
| how many channels on the SSL Duality SE |
|
Definition
|
|
Term
| how many inputs on the SSL Duality SE |
|
Definition
|
|
Term
| how many inputs on the AWS 900+ |
|
Definition
|
|
Term
| how many busses on the SSL SL 9000J |
|
Definition
|
|
Term
| how many busses on the Amek 9098i |
|
Definition
|
|
Term
| how many busses on the AWS 900+ |
|
Definition
|
|
Term
| how many busses on the SSL Duality SE |
|
Definition
|
|
Term
| how many aux sends on AWS 900+ |
|
Definition
|
|
Term
| how many aux sends on SSL SL 9000J |
|
Definition
|
|
Term
| how many aux sends on Amek 9098i |
|
Definition
|
|
Term
| how many aux sends on SSL Duality SE |
|
Definition
|
|
Term
| how many busses can you assigned to the SSL SL 9000j |
|
Definition
| 1-24, 25-48 or both by pressing the 1/24 or 25/48 buttons. |
|
|
Term
| what tell the Routing Matrix where to get its signal from in SSL SL 9000J. |
|
Definition
| The LF (Large Fader) and SF (Small Fader) buttons (You can only use one at a time) |
|
|
Term
| What tells the Master Buss on that IO to get it's signal from the Channel Fader, bypassing the Routing Matrix in SSL SL 9000J |
|
Definition
|
|
Term
| On the SSL 9000j, the output of the Master Buss feeds |
|
Definition
|
|
Term
| the input section to the Channel Path defaults to a Mic Input in ________ MODE and a Line Input in ________ MODE. |
|
Definition
|
|
Term
| On the SSL 9000j,The ______ button toggles between the MIC & LINE inputs. |
|
Definition
|
|
Term
| On the SSL 9000j, The red knob marked MIC is the |
|
Definition
|
|
Term
| On the SSL 9000j, The red knob marked LINE is the |
|
Definition
|
|
Term
| On the SSL 9000j, inverts the polarity of the audio signal, swapping the positive and negative legs of the signal. |
|
Definition
|
|
Term
| On the SSL 9000j, feeds the signal from the Master Buss to the Channel Path bypassing the MIC and LINE inputs. |
|
Definition
| The SUB GP (Sub Group) button |
|
|
Term
| On the SSL 9000j, changes the input Impedance of the MIC input. |
|
Definition
| The HIGH Z (High Impedance) button |
|
|
Term
| On the SSL 9000j, PAD that reduces the input signal by 20dB. |
|
Definition
|
|
Term
| On the SSL 9000j, Pressing the LINK button, |
|
Definition
| links the Compressor of the dynamic section to the Compressor of the dynamic section on the next IO to the right. |
|
|
Term
| On the SSL 9000j, what button switches the dynamic section into the channel path pre equalizer |
|
Definition
| the CH IN (Channel In) button |
|
|
Term
| On the SSL 9000j, switches the dynamics into the channel path post equalizer |
|
Definition
|
|
Term
| On the SSL 9000j, The insert send and return by default are |
|
Definition
| Post (after) the EQ section. |
|
|
Term
| On the SSL 9000j, Pressing the PRE button moves the insert send and return |
|
Definition
|
|
Term
| On the SSL 9000j, Pressing the IN button makes the Insert Return |
|
Definition
|
|
Term
| On the SSL 9000j, what button activates the EQ. |
|
Definition
|
|
Term
| On the SSL 9000j, what button places the EQ and filters in the Monitor Path. |
|
Definition
|
|
Term
| On the SSL 9000j, changes the equalizer's curve characteristics from G to E. |
|
Definition
|
|
Term
| On the SSL 9000j, the Stereo Cue Section by default is fed from the |
|
Definition
|
|
Term
| On the SSL 9000j, Pressing what buttons feeds the signal from the small fader to the stereo cue. |
|
Definition
| the SF (Small Fader) button |
|
|
Term
| On the SSL 9000j, sends signal from the Multi-Track Recorder to the Monitor Path |
|
Definition
|
|
Term
| On the SSL 9000j, In Record Mode, the Monitor Fader feeds the |
|
Definition
|
|
Term
| On the SSL 9000j, In Mix Mode, the Channel Fader feeds the |
|
Definition
|
|
Term
| on the AMEK 9098i, what tells the Routing Matrix to receive its signal from the Monitor Fader instead of the Channel Fader. |
|
Definition
|
|
Term
| on the AMEK 9098i, By default, the aux sends get their signal from |
|
Definition
|
|
Term
| on the AMEK 9098i, Pressing the MON (Monitor) button allows the aux to gets it's signal from the |
|
Definition
|
|
Term
| on the AMEK 9098i, Pressing the Pre button allows the aux to get it's signal |
|
Definition
| before the fader. (in other words, the fader will not affect the volume of the aux.) |
|
|
Term
| on the AMEK 9098i, Pressing the Pre button allows the aux to get it's signal |
|
Definition
| before the fader. (in other words, the fader will not affect the volume of the aux.) |
|
|
Term
| on the AMEK 9098i, the High and Low Pass Filters can only be used on the |
|
Definition
|
|
Term
| on the AMEK 9098i, The SAFE button activates |
|
Definition
|
|
Term
| on the AMEK 9098i, When Solo Safe is engaged this Monitor Fader will not ______ when another Monitor Fader or Channel Fader is SOLOED |
|
Definition
|
|
Term
| on the AMEK 9098i, The SAFE button activates |
|
Definition
|
|
Term
| on the AMEK 9098i, By default, the Monitor Path is fed by the |
|
Definition
| TAPE (Multi-Track Recorder). |
|
|
Term
| on the AMEK 9098i, tells the Monitor Path to receive its signal from the Master Buss of that IO. |
|
Definition
|
|
Term
| on the AMEK 9098i, inputs for the Channel Path and Monitor Path are reversed. |
|
Definition
| the Input REV button, the mic and line inputs for the Channel Path will now feed the Monitor path and the TAPE and BUSS inputs for the Monitor Path will now feed the Channel Path. |
|
|
Term
| on the AMEK 9098i, the small Monitor Fader now controls signal on the Channel path and the large Channel Fader now controls signal on the Monitor Path. |
|
Definition
|
|
Term
| on the Amek 9098i, Whether you are in RECORD MODE or MIX MODE the Monitor Section will alway be ___________ / ____________. This section is typically fed by the__________________ / ______________. |
|
Definition
| Monitor Path / Monitor Fader & Multi-Track Recorder / Tape machine |
|
|
Term
| on the AMEK 9098i, sends the signal on the Monitor Path to the MIX BUSS. |
|
Definition
|
|
Term
| on the AMEK 9098i, The EQ is split into 4 sections. |
|
Definition
| HF (High Shelving Filter), HMF (High Mid Filter), LMF (Low Mid Filter), LF (Low Shelving Filter) |
|
|
Term
| on the AMEK 9098i, The IN button activates the |
|
Definition
|
|
Term
| on the AMEK 9098i, CH INS puts EQ on the |
|
Definition
| Channel path / (Channel Insert Return) |
|
|
Term
| on the AMEK 9098i, MON INS puts the EQ on the |
|
Definition
| Monitor path / (Monitor Insert Return) |
|
|
Term
| on the AMEK 9098i, moves the insert point from after the EQ section (POST EQ) to before the EQ section (PRE EQ) . |
|
Definition
|
|
Term
| Name some of Chuck Ainlay’s Credits |
|
Definition
| George Strait, Dixie Chicks, Vince Gill, Patty Loveless, Wynonna, and even such rock icons as Dire Straits and Mark Knopfler, |
|
|
Term
| name some of Steve Albini’s Credits |
|
Definition
| Nirvana’s In Utero, PJ Harvey, The Pixies, The Breeders, Silkworm, The Jesus Lizard, Nina Nastasia, and Jimmy Page/Robert Plant Walking into Clarksdale. |
|
|
Term
| name some of Michael Beihorn’s credits. |
|
Definition
| Aerosmith, Soundgarden, Soul Asylum, Red Hot Chili Peppers, Ozzy Osbourne, Fuel, Korn, and Marilyn Manson, |
|
|