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        | A decomposed rock which is made up of very fine, flat particles that stick together, giving it the unique characteristic of plasticity. |  | 
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        | The ability of clay to be shaped easily and still hold its form. |  | 
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        | Clay becomes smaller as it dries. The type of clay determines the amount of shrinkage. |  | 
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        | Throwing the clay onto a cloth covered surface to remove excess moisture; also helps remove air bubbles. |  | 
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        | Folding the clay onto a cloth covered surface to remove air bubbles. |  | 
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        | Dry clay that is finely ground and mixed with water to a consistency of thick cream, which serves as glue. |  | 
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        | Making rough marks in the clay where it is to be joined together. |  | 
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        | Clay that has been rolled out to a uniform thickness. |  | 
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        | A hand rolled length of clay; used to build the wall of a pot or to reinforce a joint. |  | 
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        | A flat shape cut from a slab, which is used for the bottom of a coil pot. |  | 
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        | The rim of clay that elevates the piece. |  | 
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        | The top edge of the piece. |  | 
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        | Turning dry clay into a workable state by in water, then air drying, and wedging. |  | 
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        | Clay that is rigid, but still has some moisture in it. |  | 
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        | Clay that is nearly dry and ready to be fired. |  | 
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        | An object made of clay that has been fired. From the greek word "Keramos" which means "burnt earth." |  | 
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        | Clay that is fired at low temperatures ; below 2000 degrees fahrenheit. It is very porous before glazing. |  | 
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        | Clay that is fired at high temperatures; above 2000 degrees fahrenheit. It is non-porous. |  | 
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        | A turntable upon which work may be rotated while it is shaped or glazed. |  | 
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        | A funace made of special ceramic bricks that are heated to very high temperatures in order to fire clay. |  | 
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        | A tool used as an indicator of heat within the clay being fired. It shows when the clay has reached maturity. |  | 
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        | A device placed under the glazed ceramic to prevent the flowing laze from sticking to the kiln. |  | 
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        | The first firing, which removes all of the moisture and hardens the clay. |  | 
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        | The second firing, which melts glaze onto the bisque clay. |  | 
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        | A liquid suspension of finely ground minerals that are applied to bisque clay by brushing, pouring, spraying, sponging, or dipping. |  | 
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