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| the 4 elements of theater design |
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| scenery, costumes, stage lighting, sound |
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| theatrical form is the communication of ideas between... |
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| overhead drape just behind the proscenium |
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| side masking along the sides of the stage |
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| the area of the stage just in front of the prosc. arch |
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| the organization of design elements into a unified form. |
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| elements of design (there are 5) |
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| line, scale, light, color, and texture |
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| the space between two or more shapes can create a focal point of what? |
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| direction, length, thickness |
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| the size or mass of form in proportion to a human figure |
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| 4 physical qualities of light |
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| intensity, color, distribution, and movement (M-DIC) |
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| the tactile aspect of form |
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| real texture is 3d, but simulated texture is... |
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| a pleasing or congruent arrangement of scenic forms, usually achieved by repetition |
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| dissimilarity of forms used to create interest. (in lighting, a difference in color or intensity) |
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| slight changes in elements that prevent monotony |
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| transitional steps in a sequence used to create emphasis and a feeling of movement in a design |
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| equalization of weight or opposing forces within a composition |
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| the golden mean or golden section |
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| if you draw continuous squares using the golden section you get a |
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| a form of art that directly relates to real or lifelike objects |
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| a form of art that is abstract and ornamental, not based on real-life objects and shapes |
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| a view of a set from above, usually at 3 feet |
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| a sketch that emphasizes the light and shadow of a set |
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| the first drawing in a painter's elevations indicating the basic layout of the composition |
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| the amount of black or white present in a color, or how dark or light it is |
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| chroma (or saturation or intensity) |
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| the six basic hues of the spectrum |
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| secondary hues for pigment |
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| secondary hues for lighting |
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| any hue that is a result of mixing a primary hue with a secondary hue. |
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| a straight-line projection drawing of an object showing 3 views, typically the top, front, and side |
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| a view of an object in which the line of sight of the viewer is perpendicular to the object, often called a projection |
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| imaginary line on the upstage edge of the proscenium arch |
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| imaginary line on the upstage edge of the proscenium arch |
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| any piece of scenery that is used to complete the stage picture and prevent the audience from seeing the backstage area |
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| stock sizes of lumber is also called the |
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| nominal size, which is before it's milled down |
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| a measurement of lumber equivalent to a board 1 inch thick and 1 foot square |
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| a precut stud of a 2x4 is how many inches long (instead of 96) |
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| the blade thickness that gets cut off |
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| hand saw used to cut across the grain |
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| hand saw used to cut along the grain |
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| any cut across the grain of the wood |
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| any cut in the same direction as the grain of the wood |
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