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| T or F: One of the projects of art is to reconcile us with the world, not by protest, irony, or political metaphors, but by the ecstatic contemplation of pleasure in nature. |
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| Within a few decades of the French Revolution, there was a new ruling class in Europe. Name the class: (Multiple Choice) |
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| T or F: The First Impressionist exhibition was held in 1874. |
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| "He's only an eye, but my God, what an eye!" Who was Cezanne speaking about: (Multiple Choice) |
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| Who wrote "The Law of Simultaneous Color Contrast", 1839, that had such a profoudn influence on Georges Seurat? ________________ |
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| Name the artist who painted the masterpiece: "A Sunday Afternoon on the Island of La Grande Jatte" 1884-6 _____________________ |
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| Who painted the painting "Two Haystack" 1891: (Multiple Choice) |
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| ___________ (Monet's garden) as the art historian Kirk Verendoe elegantly put it, was ________ "hareem of nature". |
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| ___________ would stil be among the supreme moments of vision in Western art. The pond was a slice of infinity. |
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| He was one of those rare artists who influence almost everyone. ____________ |
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| Which mountain would become, thanks to Cezanne's obsessive scrutiny, the most analyzed mountain in art: (Multiple choice) |
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| Name the artist who stated "Not only in Africa but from Arles onward, you are bound to find beautiful contrasts of red and green, of blue and orange, of sulphur and lilac. And all true colourists must come to this, must admit that there is another kind of colour than that of the North." _____________ |
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| Name the first artist to paint in Tahiti. (Multiple Choice) |
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| ____________, living in blissful innocense in the fruit bosom of nature, was one of the great fantasies of European thought; and Tahiti was still imagined as the proof of his or her existence. |
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| Name the French artist who painted the masterpiece in 1897, "Where Do We Come From? What Are We? Where Are We Going?" ________________ |
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| T or F: Gauguin believed, as the sumbolists all did, that color could act like words; that it held an exact counterpart for every emotion, every nuance of feeling. |
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| "Donatello Among The Wild Beasts" |
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| The work Fauvism means in French: __________________ |
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| ____________ work (art images) was the axis of Fauvism. (Multiple Choice) |
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| T or F: Henri Matisse was born in 1869, the year the "Cutty Shark" was launched. The year he died, 1956, the first hydrogen bomb exploded at Bikini atoll. |
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| Name the French artist who painted "The Dance" 1910, and "Music" 1919. ____________________ |
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| T or F: Was the Matisse painting "The Red Studio" 1911, influenced by his love of Islamic Art? |
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| Name the artist who wanted his art to have the effect of a goof armchair on a tired businessman. (Multiple Choice) |
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| Name the French artist who painted "Blue Nude" 1899. _________________ |
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| With Matisse and Picasso, ___________ was the last great European artist to use his own studio as a subject. |
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| T or F: Picasso's achievement was not in creating the most vivid images of sexual pleasure in all modern art. |
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| These he called his decoupage or "cut-outs", "Cutting into Color" __________ observed in 1947, "reminds me of a sculptor's direct carving." |
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| Name the French artist who created "Large Decoration with Masks" 1953. ___________ |
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| Name the famous American artist who was known for his "all over" paintings from 1949: (Multiple choice) |
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| ________________ created the painting "Mountains and Sea"; 1952. |
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| Which American artist stated, "I want to have color be in the origin of the painting." (Multiple choice) |
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| Name the California artist who painted the Ocean Park series. _____________ |
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| "Elegies to the Spanish Republic" was created by one of the founders of the abstract expressionist movement in New York. Name the artist: (Multiple choice) |
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| When was Color Field Painting? |
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| Cezanne, Degas, Manet, Monet, Pissarro, Renoir, Sisley, Morisot, Cassatt |
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| Who were the main Impressionists? |
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| Redon, Hodler, Gauguin, Munch |
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| Who were the main Symbolists? |
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| Matisse, Braque, Derain, Vlaminck |
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| Who were the main Fauvists? |
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| Frankenthaler, Noland, Louis |
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| Who were the main Color Field Painters? |
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| The term 'bourgeois' has come to be synonymous with the term 'middle class'. However, in the first half of the nineteenth century, the bourgeois was (according to Karl Marx) a revolutionary force responsible for the social uphevals in France. In the secon |
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