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| America/ Great Britain (Churchill) |
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| The cross over between the two nations. Narrows the gap of the ocean to show that there are many similarities and influences on each other. |
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| Bradstreet. The hand of God is in all things. Hand in your daily life |
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| Bradford. Fate- God's will. |
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| Winthrop. Nation is better than other nations. Pride. |
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| Crevecour. Get what you earn. |
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| Bradford, Wordsworth, Bradstreet. Candid, didactic and accessible. |
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characteristic of Puritans. connections with former concept to bring understanding to the new concept. Looking into scriptures and applying to daily life.
Type in a shadow |
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| A contract agreeing to give up freedom for a set number of years. |
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| Bradstreet. Weaned from material things because of love for God. Providence. |
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| removed from old and put yourself in new culture. Face the other. Make yourself subject to risk but then realize that it preserves you. |
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| Rebirth, thought, defined by contradictions, Newton and Locke. Turn from religion to science and philosophy. |
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| Rowlandson. "good indian"- fascination with natural state of man unaffected by society. good, helpful, respected but not equal. |
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| anti-slavery. Equiano, Jefferson's Declaration of Independence (deleted part). |
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| accepts the humanity of slaves, asks to treat them better but not as radical as abolitionism. (ex: Tom in Mr. Anderson). |
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| Burke, description of what happened to Queen. Very sensory images. Learn through personal experience. |
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| preachy. ex: Sinners In Hands of An Angry God (Jonathan Edwards). |
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| refined moral feeling; true good people are in tune with emotions; swooning; connected to virtue. |
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| blank slate theory. Experience determines everything. |
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| Franklin's group. Philosophical "religion" book club. |
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| Franklin. Latin word for printing errors. Franklin called his sins errata to take out any religious connotation. |
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| Bring religion back. Religious movement. |
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| sermon; lamenting over a falling away or an apostasy with an underlying call to return. Ex: Sinners in Hands of an Angry God. |
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Europe sends finished products to Africa.
Africa sends slaves to US.
US sends raw materials to Europe. |
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| Africa to US (Triangular trade) |
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| Rowlandson, Equiano, Kimber |
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| Go to America, get money, go home (back to Europe). (Mr. Anderson) |
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| Before Robinson Crusoe; poison minds of children; considered trashy with no moral lesson. |
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| Reason, Classical Education, Imitation, Outward Gaze, Satire, Art, Refinement, Rules-heroic couplet, Conservative |
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| Emotion, Sensibility, Common experience, Originality, Interiority "I", Sincerity, Spontaneity, Organic Form, Radical |
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| comes in reflective moods, spontaneously |
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| write about themselves, introspective. not concerned with outside world. |
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| random overflow of emotions |
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| Blake. (America a Prophecy). Declares himself a prophet- speaks in prophetic tone. Exceptionalism. ? |
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| rugged, dark, vast, invokes fear and self preservation (more powerful than the beautiful). Burke introduced but poems by Coleridge (Mariner, Kubla Khan). |
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| form matches the message. |
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| etches poem, acid fades away, hand paint with water colors. (original, creative..) |
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| ideal community in America- unrealistic idea. Work for a few hours and then philosophize all day. (Coleridge and Southey). |
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| used in Neoclassicism; epic, every 2 lines rhyme, 10 beat lines. |
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| story moves from elegant, high class civilization to the woods. |
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| repetitive, story-poem, singsongy, short lines. (We are Seven, Rime of the Mariner..) |
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| short, natural, completative |
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| elaborate, lyrical verse, Usually structured in three parts. (Wordsworth: Intimations of Immortality; Coleridge) |
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| 14 line poem, poses question or problem, works through it, ends with solution or answer. (Ex: The World is too much with us). |
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| easiest way to express, 10 beat lines, UNrhymed iambic pentameter, natural rhythm. (Ex: Frost at Midnight, Coleridge) |
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| One of the modes Coleridge often uses- uses the sublime. Dark and haunting. |
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| Second mode that Coleridge writes in. More in touch with the "beautiful"; peaceful, reflective. |
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| Second mode that Coleridge writes in. More in touch with the "beautiful"; peaceful, reflective. |
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| the supernatural; order of existence beyond the scientifically visible universe |
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| one of the Romantic ideals. |
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| God is mechanic but it runs all on its own. (Franklin) |
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| Coleridge, Southey and Wordsworth's school of poetry |
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| interrupted Coleridge inspiration. Now all poets refer to this man when they have writer's block. |
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