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| Watteau, Return from Cythera, |
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| Hogarth, Breakfast scene from marriage alamode, |
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| Jaque L. David, Oath of the Horatii, |
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| Angelica kauffman, Cornelia presenting her children as Treasures, |
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| Goya, Sleep of reason produces monsters, |
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| Goya, Family of Charels the IV,1800 |
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| Gericault, Raft of the Medusa, |
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| Gustav Courbet, Burial at Ornans, |
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| Courbet, the painters studio (allegory) |
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| Eduard Manet, Luncheon on the Grass, |
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| Claude Monet, Impression: Sunrise, |
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| Berthe Marisot, Villa at the seaside, |
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| Cailbotte, paris: a rainy day, |
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| Seurat, A sunday on the grande Jatte, |
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| Rodin, Burghers of Calais, |
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| van gogh, the night cafe, |
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| Toulouse-Lautrec, At the Moulin Rouge, |
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| Monet, Ruen Cathedral: the Portal, |
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| Cezanne, Basket of Apples, |
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| Gaughan, Where do we come from? What are We? Where are we going?, |
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| Pissarro, La Place du Theatre Fancais, |
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| Cezanne, Monte Sainte- Victiore, |
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| Picasso, les Demoiselles d' Avignon, |
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| Henri Matisse, the red room, |
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| Picasso, still life with chair canning, |
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| Fauvism, French Fauvisme, style of painting that flourished in France from 1898 to 1908; it used pure, brilliant colour, applied straight from the paint tubes in an aggressive, direct manner to create a sense of an explosion on the canvas. The Fauves painted directly from nature as the Impressionists had before them, but their works were invested with a strong expressive reaction to the subjects they painted. First formally exhibited in Paris in 1905, Fauvist paintings shocked visitors to the annual Salon d'Automne; one of these visitors was the critic Louis Vauxcelles, who, because of the violence of their works, dubbed the painters "Les Fauves" (Wild Beasts). |
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Paul Cézanne.
Vincent van Gogh.
Paul Gauguin.
Henri de Toulouse-Lautrec. |
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| Analytic cubists reduced natural forms to their basic geometric parts and then tried to reconcile these essentially three-dimensional parts with the two-dimensional picture plane. Color was greatly subdued, and paintings were nearly monochromatic. |
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| The first work of this new style was Picasso's Still Life with Chair-caning (1911-1912), |
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