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| Leonardo, Two Horsemen, 1481, metalpoint with pen and brown ink on paper |
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| Leonardo, A Rider on a Rearing Horse, metalpoint with pen and brown ink on paper |
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| Lorenzo de Credi, Head of Young Man Wearing a Hat, metalpoint on pale brown ground with brush and whitening |
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| Fra Bartolomeo, Studies of a Lay Figure, chalk |
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| Fra Bartolomeo, The Infant Christ, Black Chalk |
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| Raphael, The Holy Family, 1510, red chalk |
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| Titian, A Couple in Embrace, 1560 |
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| Tintoretto, A Man Half Kneeling, Holding a Staff |
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| Domenico Tintoretto, St Jerome, black chalk and brown oil |
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| Jacopo Bassano, Study of a Manservant, 1580, charcoal with black chalk, heightened with white |
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| Jacopo Bassano, Study of a Manservant, 1580, charcoal with black chalk, heightened with white |
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| Giampietrino, Head of a Woman, red and black chalk on red ground |
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| Gaudenzio Ferrari, The Flagellation, Grisaille - black chalk with white on vellum |
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| Jusepe de Ribera, Inquisition Scene, 1620s, pen and brown ink on brown paper |
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| El Greco, A Study of Two Female Draped Figures, Late sixteenth century, pen and brown ink and brown wash |
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| Rembrandt, Adoration of the Shepherds, early 17th century, pen and brown ink on paper |
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Rembrandt, Supper at Emmaus, 1641, brown ink and wash with whitening on paper wash may have been added later |
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| Rubens, A Crouching Lioness, red chalk, black chalk, paper |
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| Rubens, A Path Bordered by Trees, pen and ink |
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| Rubens, Abel Slain by Cain |
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| Anthony Van Dyck, Portrait of Margaret Lemon, black, red and white chalks on paper |
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| Workshop of Guilio Romano, Design for a Vase |
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| Ambrogio Figino, Page of Compositional studies, pen and ink and chalk |
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