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Renaissance Art Final Exam
Renaissance Art Second section – High Renaissance, mannerism
17
Art History
Undergraduate 1
04/21/2017

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Cards

Term
[image]
Definition

Eva (Eve)

Artist: Michelangelo

Year:N/A

Importance: The creation of adam incorporates eve as being part of the process but clearly this looks like the Virgin Mary

Term
[image]
Definition

Cycle of the Ancestors of Christ: The Holy Family – Mary, Joseph and Jesus

Artist:Michelangelo

Year:1510-12

Importance: 

Term
[image]
Definition

Ignudi

Artist:Michelangelo

Year: 1510-12

Importance: The poses are exagurated and they do not even make sense. This shows off Michelangelo's mastership in the human anatomy

Term
[image]
Definition

Mond Crucifixtion

Artist:Raphael

Year: 1502-03

Importance: Almost like his teacher, Perigino's work but gives characters more life and different faces

Term
[image]
Definition

Coronation fo the Virgin

Artist:Raphael

Year: 1503

Importance: COmpared to Perugino's Assumption of the Virgin

Term
[image]
Definition

Assumption of the Virgin

Artist: Perugino

Year: 1504

Importance: Everything looks exactly the same, cookie cutter figures and afces. None of the figures are so amazing at what is happening – not so realistic.

Term
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Definition
Importance: Perugino never gives a location or setting. People are more surprised in Raphael's painting, some are even trying to drag her down. Raphael is not extremely dramatic since he still follows his tutor but still muc more realistic.
Term
[image]
Definition

St. Catherine

Artist: Raphael

Year: 1506-07

Importance: The body has a lot of moevemnt and she is standing and leaning on the thing that killed her in real life. Raphael is imitating ancient sculpture and drapery. The face is so idealized that you could never find someone with this face walking around. Everything has grace.

Term
[image]
Definition

Baglioni Deposition

Artist: Raphael

Year: 1507

Importance: Antalanta's husband was killed and her son wanted revenge. Long story short, she did not let him in and he died. Painting is a reflection of Antalanta's suffering . The figures look very graceful and he is clearly imitating mantenga and others. To be a good artist of the time, you have to be aware of the art around you

Term
[image]
Definition

The Death of Meleager

Artist: Unknown

Year:Unknown

Importance: On the Roman sarcafagus and Raphael clearly looked at this for inspiration

Term
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Definition
The ideal that every good artist must be well versed in the art around him and the ancient art everyone strives to be. It can only show that you know about it but not copy it.
Term
Definition

Sistine Madonna

Artist: Raphael

Year: 1513-14

Importance: Pope Julius II asked for Raphael to paint pope Sixtus. The tripple tiara is in the very corner. The green curtain essentially opens up to the holy image. The pope is like listen to them they are out there!

Term
[image]
Definition

Stanze della Segnatura

Artist: Raphael

Year: 1509-11

Importance: 

·      Poetry Inspired by the divine

Term
[image]
Definition

Temptation of Adam and Eve

Artist: Raphael

Year: 1509-11

Importance: This is between theology and justice and it has to do with breaking divine mandate

Term
[image]
Definition

Stanza della Segnatura: Disputation

Artist: Raphael

Year: 1509

Importance: He showed the theological dispute that if bread is the flesh of god. Half of the room says yes and the other is no. The focal point is the middle – which he also drew God and Jesus lined up with the bread symbolizing that he believes it is true.

Term
[image]
Definition

The Sixteen Modes

Artist: Marcantonio Raimondi and Pietro Arentino

Year: 1524

Importance: This was of big controversy in the 1520s because this was pornoraphy of people having sex

Term
[image]
Definition

Loggia of Cupid and Psyche

Artist: Raphael and Workshop

Year: 1518

Importance: The clear reference to a penis was not used as a sexual reference

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