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| western (pillars) and indic (flat simple colors)/chinese influences; buddhism/darsan |
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| eastern/western culture (gandhara, contrapposto); naturalism; buddhism |
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| line over color; animal symbolism; space; brushstrokes; landscapes; 6 tenets of painting! |
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| neolithic and bronze china |
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| animal motif: frog = rain; writing = art form; black color palette; yanshato, taotieh, ding, curlicues |
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| afterlife/burials; naturalism; confucianism; color secondary to line; landscapes |
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| abandonment of indic source except for buddhist content; spirals, squiggles, teardrop halos; waterfall |
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| color subjugated by line; important air/space between figures |
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| stories told thru figs with few props; shallow space; expanded color but also still black/white; varied brushstrokes; daoism |
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| brushstrokes; zen buddhism, confucianism, revert to style of tan dynasty when china was v. strong: all clear, nothing mysterious; sense of power of nature; literati for speculation by intellectuals |
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| buddhism remains strong; learn from master; energy in brushstrokes; three color ware, porcelain/oil on canvas = new media that make possible new expressions; seeking new ideas in landscape within chinese tradition; cultural revolution |
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| insular so has own culture, but also affected by buddhism; bronze, geometric forms = from china; shintoism/buddhism; bodhisattva with head bump, hierarchical scale = indian; samurai warriors/zen buddhism; black ink paintings; valued quality of brushstroke |
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Definition
| contact with SAsia; buddhism, hinduism, veneration = important; elephant=graceful, smooth, sign of beauty; later influenced by Euro |
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