Term
| What are the advantages of having a digital console? |
|
Definition
| Recalling, Zeroing out, Automation. |
|
|
Term
| What is good about an analog console? |
|
Definition
|
|
Term
| True or False. Digital consoles must use an external MTR? |
|
Definition
|
|
Term
| True or False. Digital consoles do not have a super comprehensive integrated user interface? |
|
Definition
| False. They do have a super comprehensive integrated user interface. |
|
|
Term
| What are the good things about DAWs? |
|
Definition
| All in one recording station. A very cost effective solution. |
|
|
Term
| What are the bad things about a DAW? |
|
Definition
| Poor hands on control. Optional user interface. (Control surface) |
|
|
Term
| What are the 2channel digital protocals? |
|
Definition
|
|
Term
| What are the 8channel digital protocals? |
|
Definition
|
|
Term
| What is the 56channel digital protocal? |
|
Definition
|
|
Term
| On the Amek, in record mode, what path is the large fader in? |
|
Definition
|
|
Term
| On the Amek, in record mode, what path is the small fader in? |
|
Definition
|
|
Term
| On the Amek, in record mode, what is the destination of the channel path? |
|
Definition
|
|
Term
| On the Amek, in record mode, what is the destination of the monitor path? |
|
Definition
|
|
Term
| On the SSL, in record mode, what fader is controlling the channel path? |
|
Definition
|
|
Term
| On the SSL, in record mode, what fader is controlling the monitor path? |
|
Definition
|
|
Term
| On the SSL in record mode, what is the destination of the channel path? |
|
Definition
|
|
Term
| on the SSL, In record mode, what is the destination on the monitor path? |
|
Definition
|
|
Term
| On the Amek, in mix mode, what fader is controlling the channel path? |
|
Definition
|
|
Term
| On the Amek, In mix mode, what fader is controlling the monitor path? |
|
Definition
|
|
Term
| On the Amek, in mix mode, what is the destination of the channel path? |
|
Definition
| Stereo buss & Routing Matrix. |
|
|
Term
| On the Amek, in mix mode, what is the destination of the monitor path? |
|
Definition
|
|
Term
| On the SSL, in mix mode, what fader is used to control the channel path? |
|
Definition
|
|
Term
| On the SSL, In mix mode, what fader is used to control the Monitor path? |
|
Definition
|
|
Term
| On the SSL, in mix mode what is the destination of the channel path? |
|
Definition
|
|
Term
| On the SSL, in mix mode, what is the destination of the monitor path? |
|
Definition
|
|
Term
| On the SSL, in mix mode, what button do you press to send the small fader to the stereo Buss? |
|
Definition
|
|
Term
|
Definition
| Re-recording tracks to MTR |
|
|
Term
| What is Track Bouncing used for? |
|
Definition
|
|
Term
| What is Audio sudgrouping? |
|
Definition
| It groups signals together using the routing matrix, allows you to add dynamic processing on the group of signals. |
|
|
Term
|
Definition
| A clean way of controlling level and cut functions on a group of faders. |
|
|
Term
|
Definition
| Enables the small fader as an additional AUX Send, and allows the engineer to automate the created AUX Send. |
|
|
Term
| What button do you press to perform channel output? |
|
Definition
|
|
Term
|
Definition
| Disconnects an FX Send from it's FX Send Buss, and reconnects it to the Routing Matrix. |
|
|
Term
| True or False. The EFX ODD/EVEN and Channel output can be used on the SSL and AMEK? |
|
Definition
|
|
Term
|
Definition
| If you plug into the top you can still get signal on the bottom, but if you patch into the the bottom, the signal is disconnected. |
|
|
Term
|
Definition
| If you patch into the top the signal is disconnected, and if you patch into the bottom, the signal is disconnected. |
|
|
Term
| What does cross patching do? |
|
Definition
| Moves output to a different input. The output of the input is broken, but the input of the output depends on if its fully normalled or half normalled. |
|
|
Term
|
Definition
| Patch out of the patchpay into a piece of outboard gear, and then back into the patch bay. |
|
|
Term
|
Definition
| You plug one end of a patch cable in and leave the other side unplugged. |
|
|
Term
|
Definition
| Patching into a mult copies your signal. |
|
|
Term
| What are the first 10 patch Points |
|
Definition
| 1. Mic Lines. 2. Channel Mic input. 3. Multitrach returns. 4Channel line input. 5. Insert sends. 6. Insert Returns. 7. Group Output. 8. Multitrack Sends. 9. Multitrack Return. 10.Tape Monitor Inputs. |
|
|
Term
| What button do you press on the SSL to get the OSC. to the Routing matrix? |
|
Definition
|
|
Term
| What button do you press on the Amek to the the OSC. to the routing matrix? |
|
Definition
|
|
Term
| What button do you press on the SSL to get the OSC. to the Routing matrix? |
|
Definition
|
|
Term
| What button do you press on the SSL to get the OSC. to the Stereo Buss? |
|
Definition
|
|
Term
| What button do you press on the Amek to get the OSC. to the Stereo Buss? |
|
Definition
|
|
Term
|
Definition
| Routes the talk back button mic to all 48 busses simultaneously. Allows the engineer to document the take on the MTR or the 2TK |
|
|
Term
| What button do you press on the SSL to talk to the headphones? |
|
Definition
|
|
Term
| What button do you press on the Amek to talk to the headphones? |
|
Definition
| Stereo Cue 1 or Stereo cue 2. |
|
|
Term
|
Definition
| The constent real time level. |
|
|
Term
|
Definition
| The hottest signal reached. |
|
|