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| Piano style generally in duple meter, performed at a moderate march tempo, popular from the 1890's to about 1915 |
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| Folklike, guitar-based style associated with rural white Americans |
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| Style that emerged in the early 1950's that was related to bop but calmer and more relaxed in character |
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| Style that emerged from 1935 to 1945, characterized by arrangements for about 15 musicians |
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| Dance music of African Americans that fused blues, jazz, and gospel styles |
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| Combination of jazz improvisations with rock rhythms and tone colors |
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| Blend of rhythm and blues with popular music |
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| Style that emerged in the early 1960's that was not based on regular forms or established chord patterns |
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| Style that evolved in the early 1940's, characterized by complex thrythmic patterns, asymmetrical melodic phrases, solo improvisation, and irregular accents |
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| Form of vocal music usually characterized by a 12-bar chord progression over a steady 4/4 beat |
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| Style developed in the early 1900's, characterized by collective improvisation of solo performers over a clearly marked beat |
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| Vocal music with a hard, driving beat, often featuring electric guitar accompaniment and heavily amplified sound |
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| Emphasis on emotionality, gospel roots, and its relationship to the black community |
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| The chord progression usually used in the blues involves only three basic chords: tonic, dominant, and what other chord? |
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| Early rock grew mainly out of what, a dance music of African Americans that fused blues, jazz, and gospel styles? |
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| Frequently repeated short melodic phrases commonly used in swing |
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| Diana Ross and the Supremes |
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