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| A book made by hand with illustrations. |
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| A group of buildings in which monks live together, set apart from the secular community of a town. |
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| A monastery courtyard, usually with covered walks or ambulatories along its sides. |
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| A water based paint made of a pigment mixed with a binder, traditionally egg yolk. |
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| Animal skin prepared as a surface for painting or writing. |
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| Purse Cover from Sutton Hoo ship burial, ca. 620, gold, glass, enamel, stones |
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| Book of Kells (Chi-rho-iota page), ca. 800, illuminated manuscript with tempera on parchment |
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| Travel to an important, often holy location. |
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relics - Remains of the body of a saint, or clothing or other objects associated with a saint.
reliquary - A container for holding relics. |
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Nave: The central area of an ancient Roman basilica or of a church, demarcated from aisles by piers or columns.
Side Aisles: The portions of a basilica flanking the nave and seperated from it by a row of columns or compound piers of alternating form. |
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| A deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. |
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| The point at which two barrel vaults intersect at right angles. |
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| The part of the church with an axis that crosses the nave at a right angle. |
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apse - A recess, usually semicircular, in the wall of a building, commonly found at the east end of a church.
ambulatory - A covered walkway, outdoors (as in a church cloister) or indoors; especially the passageway around the apse and the choir of a church. |
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| A large decorated doorway. |
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| A horizontal beam used to span an opening. |
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| The space enclosed by a lintel and an arch over a doorway. |
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| Church of Saint-Sernin, Toulouse (France), ca. 1100 |
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| Gislebertus, Last Judgment tympanum and other sculptures, Church of Saint-Lazare, Autun (France), ca. 1130, stone |
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| A vault in which the diagonal and transverse ribs compose a structural skeleton that partially supports the masonry web between them. |
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| An inclined member carried on an arch or series of arches and a solid buttress to which it transmits lateral thrust. |
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| A narrow arch of pointed profile, in contrast to a semi-circular arch. |
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| The fenestrated part of a building that rises above the roofs of the other parts. |
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| A window made of colored glass used to make pictures and patterns. |
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| Chartres Cathedral, Chartes (France), begun 1194 |
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| Royal Portal (the west façade entranceway), Chartes Cathedral, ca. 1145, stone |
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| Jamb Statues of Queens, Kings, and Old Testament Figures, Chartres Cathedral, ca. 1145, stone |
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| Sainte-Chapelle, Paris (France), ca. 1245 |
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| Virgin of Paris, ca. 1300, limestone |
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| God as Architect of the World, ca. 1220, illuminated manuscript with tempera and gold on parchment |
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| French for "rebirth". The artistic period in Europe from the 14th to 16th centuries when artists revived naturalistic (realistic) imagery based on the study of classical art (antique art, Greek and Roman art) and the study of the natural world (landspace, anatomy). |
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| A panel representing a religious subject, either painted or sculpted, situated above and behind an altar. |
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A paint made of pigment ground in oil, usually linseed oil.
- slow drying
- does not mix well
- can add much detail
- very good for painting reflective surfaces
- stark transitions from light to dark
- might have been invented to paint skin |
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| The standing human figure in a natural, relaxed pose, in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counterpositioning of the body about its central axis. |
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Painting on lime plaster, either dry (dry fresco, or fresco secco) or wet (true, or buon, fresco). In the latter method, the pigments are mixed with water and become chemically bound to the freshly laid wet lime plaster.
Also, a mural painting executed in either method. |
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| perspective, linear perspective, and atmospheric perspective |
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Perspective: A method used to present an illusion of the three-dimensional world on a two dimensional surface.
Atmospheric Perspective: Suggestion of depth through dimunition of color tone and intensity; increased haziness, and often blueness in the distance (that is, the imitation of atmospheric effects).
Linear Perspective: The use of parallel lines converging on a vanishing point on the horizon and the reduction of size of elements according to the geometric scheme. |
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| The use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to the perpendicular plane of sight. |
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| Cimabue, Madonna Enthroned with Angels, ca. 1280, tempera and gold/wood |
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| Giotto, Madonna Enthroned (Ognissanti Madonna), ca. 1310, tempera and gold on wood |
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| Giotto, Lamentation and Last Judgement, ca. 1305, fresco [Arena Chapel (Cappella Scrovegni), Padua] |
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| Filippo Brunelleschi, Dome of the Cathedral of Florence, 1420-1436 |
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| Donatello, David, ca. 1450, bronze |
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| Masaccio, Tribute Money, ca. 1425, fresco [Brancacci Chapel, Santa Maria del Carmine, Florence] |
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| Andrea Mantegna, Camera Picta, 1474, fresco [Palazzo Ducale, Mantua] |
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| Jan van Eyck, Arnolfini Wedding Portrait, 1434, oil on wood |
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