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| Euclidean elements whcih are identifiable within a composition, and related to in pure geometric terms |
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| Denotes a position with no length or breadth |
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A directional element with length, but no breadth
_Divides or encloses an area
_Occupies the edge of shapes |
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| A design area of uninterrupted space defined by edges |
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A composition adhering to underlying mathematical structures that rigidly govern the position and direction or elements
_rules are predetermined, nothing is left to chance |
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Do not depend on mathematical calculation, but on an eye sensitive to the creation of asymmetrical balance and general unity with freely arranged elements and shapes
_no definite procedures exist but gravity, contrast, rhythm, and center of interest are considered |
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| the weight and balance of shapes |
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| the visual, dimensional, or quantitative differences that distinguish one shape, or group of shapes from another |
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| the suggested movement and velocity |
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| a focal point meant to attract the viewers gaze or which defines the place of convergence, divergences or climax of rhythm forces |
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| Center or Interest >> Informal Compostion |
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| An informal composition must coordinate its elements around a center of interest - an area where all elements originate, cease, or interact, providing the visual drama without which the design becomes a mere conglomeration of parts |
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| occupied space within a composition |
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| unoccupied space within a composition |
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