Term
| analyzing the whole person |
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Definition
| Designing the right hairstyle for your client begins with: |
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Term
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Definition
| An important factor in being a good hair designer is: |
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Term
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Definition
| Once you have a strong foundation in both technique and styling skills, you can: |
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Term
| overall outline of a hairstyle |
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Definition
| The element of form describes: |
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Term
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Definition
| The term space in hair design refers to: |
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Term
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Definition
| The use of curved lines in a hair design can be used to: |
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Term
| creates more interest in the design |
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Definition
| The use of repeating lines, whether straight or curved: |
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Term
| the illusion of more or less hair |
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Definition
| Through the use of color in hair design, you can create: |
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Term
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Definition
| When choosing a new haircolor, one of the considerations is: |
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Term
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Definition
| The terms straight, wavy, and curly describe: |
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Term
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Definition
| Wave patterns can be altered by the use of: |
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Term
| relationship between hair, face, and body type |
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Definition
| One of the principles of hair design, proportion, refers to the: |
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Term
| balancing facial features |
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Definition
| Using asymmetrical hair design is effective in: |
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Term
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Definition
| Ornimentation is an exciting method of creating: |
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Term
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Definition
| A harmonious style creates a look that is: |
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Term
| play up strengths and minimise weaknesses |
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Definition
| When you analyze your client's features, you can style your design to: |
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Term
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Definition
| Fine straight hair creats a sihouette that is: |
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Term
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Definition
| Fine, medium and coarse are qualities that refer to: |
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Term
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Definition
| The most versatile hair type for styling is: |
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Term
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Definition
| If not properly shaped, a very wide sihouette could appear with hair that is: |
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Term
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Definition
| Straight coarse hair has some colume but is: |
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Term
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Definition
| In hair that is too long, seperation can occur and reveal too much scalp if the hair is: |
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Term
| extremely curly, coarse hair |
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Definition
| The widest silhouette is found in: |
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Term
| position and prominence of facial bones |
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Definition
| Facial shape is determined by the: |
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Term
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Definition
| The generally recognized ideal facial type is considered to be: |
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Term
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Definition
| For design purposes, the three zones of the face are forehead to eyebrown, end of the nose to bottom of the chin, and: |
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Term
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Definition
| Amond the facial shapes is: |
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Term
| style the hair away from the forehead |
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Definition
| If your client has a narrow forehead, it is recommended: |
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Term
| full and falls below the jaw |
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Definition
| When styling from a client with a long jaw, the hair should be: |
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Term
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Definition
| A profile is the outline of a face or figure as seen in a: |
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Term
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Definition
| There are three basic profile types, straight, convex, and: |
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Term
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Definition
| If your client has a convex profile, the hair in the chin area should: |
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Term
| use bangs with lots of volume |
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Definition
| When styling for a client with a large forehead: |
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Term
| above or below the chin line |
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Definition
| If your client has a large chin, be sure that hair is: |
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Term
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Definition
| When a client wears glasses, it is affect how you design hair: |
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Term
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Definition
| The three basic parts for bangs are triangular, curved, and: |
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Term
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Definition
| The use of a side part helps to: |
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Term
| flattering and appropriate |
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Definition
| When consulting with a male client, recomment styles that are: |
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Term
| a full beard and mustache |
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Definition
| You can camouflage a rededing chin in a male client, with: |
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Term
| closely groomed beard and mustache |
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Definition
| A balding male client may look good with a: |
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