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| Contrary to "what appears" or is believed, yet arguably true |
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| the mind and body are not identical |
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| all knowledge must come directly from your senses |
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| that out of which something is composed |
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| that by which something is what it is |
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| something that exists fully through itself |
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quality
quantity
when
where
relation
action
passion |
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| matter that still has underlying form (bronze statue of someone) |
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| matter that has no form (bronze alone) |
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| not constituted by any possible sense perception |
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| all truth is simply a matter of opinion; there is no objective truth |
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| life has no meaning; absurd; Nietszche |
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| "itinerant law professors"; teachers of how to make one's opinion prevail |
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| all physical things are composites of two explanatory principles: actuality that comes from potentiality |
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| knowledge in the strong sense; visible shape; the intelligible look of something; intelligibility; causes the existence of things in this world; no triangles unless triangle itself |
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| knowledge in the weak sense; instances, examples, imitations; participations (take part in x self) |
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Aristotle
Matter, Form, Efficient, Final |
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| 3 ways of finding meaning |
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| working, suffering, encountering nature (love) |
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| Weak Sense and Strong Sense |
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| Knowledge in the Weak Sense |
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| proposition can be true or false; nothing is necessary |
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| Knowledge in the Strong Sense |
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| proposition is only true, never false; there is no false knowledge |
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| 4 Arguments for the immortality of the soul |
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| Cyclical, Recollection, Affinity, Final |
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| all change is between opposites |
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| a priori vs. a posteriori |
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| destructible vs. indestructible |
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| 3 Principles of Cognition |
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| 1) a kind of becoming 2) what causes it? the object known 3) through what in us? Though a likeness or similitude: that by which or with which |
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| vegetative, sensation, desire, self-locomotion, intellect |
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| in presence of external object: sight, smell, hear, taste, touch |
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| imagination; sense memory; estimative power; common or central |
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| belongs to something alone |
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| brief, usually asking what is x?; no conclusion |
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| typically end in myth or story (Phaedo); Plato's Theory of Forms |
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| dramatic setting decreases; Socrates is often no longer the main figure |
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