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| art that follows prescribed rules, not experimental |
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| pigment in a plastic binder medium. water based paint that adheres to most surfaces |
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| the effect of distance or atmosphere shown through cool colors and lack of detail |
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| at the forefront of new developments in art |
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| paint applied in one coat instead of layers |
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| a tradition of the neoclassical era following the rules of the French Academies of the 19th and 20th centuries |
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| a technique used with wet media applied with almost an empty brush |
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| a support for an artists work |
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| a form of realistic painting of people that depicts ordinary events of the day. Not religious, historical or mythological |
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| a primer for cancas made of flue plaster, chalk or an acrylic medium |
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| in painting, to build up transparent layers of paint |
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| the thick textured build up of a pictures wurface through repeated paint |
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| loose, fluid painting done outdoors, capturing effects of light and air |
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| also known as divisionism the application of pure color in small dots allowing the eye to mix |
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| a type of painting that idealizes images; often with imaginative compositions |
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| a painting done in three sections hinged together |
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| pigment diluted with water and applied to a painting surface to give a transparent effect |
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| to revive the ideals of art from reece and Rome, balance, flowing lines, noble gestures, late 18th century...the era of Napoleon |
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| dramatic and exotic subjects portrayed with a lot of feelings |
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| English landscape painters...(2) |
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| shimmering atmospheric color, willl influence the Impressionishts |
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| French Impressionism include |
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| Japanese prints, photography and English landscape painters influenced these artists who were concerned with light and color and atmospheric conditions |
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| specific style characteristics of French Impressionism |
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| bright dabs or color, blues and violets instead of black, rich texture, blurred edges |
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| influence of post impressionists |
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| they saw the world in different ways and developed their own methods to show others what they saw |
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